This afternoon at a meeting I was talking about certain legalities that nonprofits have to fulfill and, speaking a mile a minute, my mind, needing a random example of a 501(c)3, came up with the name, Mrs. McGillicuddy's Home for Unwed Cats.
The name popped out of my mouth when I was comparing the Articles of Incorporation that are practically universal across the spectrum of US-based nonprofits as compared to the By-Laws that can contain information specific to the organization.
I believe what I said in my impassioned need to communicate information was, "The Articles of Incorporation are almost universal whether the nonprofit is a church or Mrs. McGillicuddy's Home for Unwed Cats."
Oddly enough, nobody batted an eye.
Either nobody was listening or nobody is surprised anymore by whatever stream of consciousness I blurt out at random.
Nonetheless, I couldn't get the name of this odd little organization and my imagination traveled back to Victorian England...
Mrs. McGillicuddy's Home for Unwed Cats was well known in the Victorian City of Westminster coming into existence after the British government sent a military force to end the atrocities reported on the island of notorious vivisectionist Doctor Alphonse Moreau. Toward the end of his nightmarish life, Moreau worked toward creating the ultimate feline slave and thirty survivors of his experiments were taken back to England and housed by Moreau's niece in a spacious home located on Milford Lane just off the Strand.
The feline curiosities became popular with a number of wealthy Victorian families fulfilling various roles due to their superior abilities to manage household affairs and became common fixtures of Victorian London as nannies and private secretaries even being employed by members of English royalty. However, their habit of shedding notorious amounts of fur, coughing up hair balls, their insistence on using inconveniently large litter boxes, and presenting beloved owners with gifts of dead rodents did hinder their overall popularity.
(Note: I have not been able to identify the artist who created the picture of the anthropomorphic Victorian feline even after an extensive search. Any verifiable information so credit can be given would be greatly appreciated.)