Friday, December 20, 2024

A Momentary Diversion

A Momentary Diversion: An Experiment in Absurdity

by Alan Loewen

ALL RIGHTS RESERVED


Patrick sighed and sat on the park bench, letting the wood take his full weight. The chilly autumn air competed with the warmth of the full sun, and he folded into himself and let the sunlight sink through his suit coat to warm his bones.

The workday had been long and exhausting, and Patrick decided to walk another way home through a park he had never before visited. It wasn’t that he did not love his wife and daughter that kept him from rushing home, but he needed the quiet of the city’s park to shake off the stress of the day. He only wanted a moment to enjoy the quiet. He closed his eyes and breathed deeply of the autumn aromas.

Patrick felt somebody jostle the park bench, and he opened his eyes to see an elderly man in a business suit sitting beside him. “May I sit here?” he asked.

Patrick smiled, nodded, and closed his eyes again, hoping his visitor would take the hint that he was not interested in conversing.

His visitor ignored the hint. “So, are you here for the show?' the man asked.

Reluctantly, Patrick opened his eyes. “Show? There’s a show? I didn’t know anything about a show.”

The visitor laughed and shook his head. “I’m sorry. I thought that’s why you are here. Every day at 5:30. It’s quite unique.”

Patrick shrugged his shoulders. “Normally, I head home every day straight from work. This is the first time I’ve ever taken a seat here.”

The man nodded knowingly. “Well, that explains it.” With a grunt, he took out his cell phone and looked at the screen. “We’re early. Others will be showing up momentarily.”

True to his word, quietly, silently, others started appearing, either strolling down the sidewalk or walking out of the woods. The small crowd was a blend of humanity, and conversation was gentle and susurrant. Patrick looked around with growing curiosity. He sensed a growing air of expectation.

“Here they come,” somebody said.

Patrick craned his eyes toward the direction people looked and pointed. The next moment, he rubbed his eyes and looked again in surprise.

From around a bend in the sidewalk, initially obscured by the trees, two antelope came riding a tandem bicycle, their eyes intent on their path. They passed the group and, within moments, disappeared around another wooded bend on the sidewalk.

The crowd began to break up as people started to go their separate ways.

“What … what was that all about?” Patrick gasped.

His companion shrugged his shoulders. “Just a momentary diversion,” he said. “Nothing more.” He got up from the park bench, brushing off the seat of his pants. “Sometimes they are timber wolves ... or anteaters. Will I see you here tomorrow?”

Patrick spent a moment in thought. “Yes,” he slowly replied. “I believe you will.”



Tuesday, November 26, 2024

Incident at a Carnival: A Monologue




Incident at a Carnival: A Monologue
by
Alan Loewen
ALL RIGHTS RESERVED


INT. THE LIGHTS COME ON TO REVEAL AN ELDERLY WOMAN SITTING AT A SMALL TABLE FACING THE AUDIENCE. SHE IS DRESSED IN THE TRADITIONAL GARB OF A CARNIVAL FORTUNETELLER. A DECK OF TAROT CARDS IS OFF TO HER SIDE, WRAPPED IN SILK OR FINE LINEN. A BRANDY FLASK SITS OFF TO THE OTHER SIDE.

Hello, hello! Please come inside. Sit down there across the table from me.

SHE MOTIONS TO A NON-EXISTENT CHAIR IN FRONT OF THE TABLE

“My, my. What a pretty one you are!

“No, no, my dear. Don’t be concerned over a silly old lady like me. Sit! Sit!

“So, you want to know the future? Maybe the past? Yes?

“Well, of course, you already know the past! At least you think you do, but my cards have a way of helping you remember it.

“Ignore the noises of the carnival outside. Here it is just you and me.

“Now, I will unwrap the cards, and we shall begin.

SHE UNWRAPS THE CARDS AND PUTS THEM IN FRONT OF HER

“Yes, that’s natural silk they are wrapped in. I’m not some carnival hack, not Madame Gianopoulos. I have dealt these cards for over seventy years.

“What? Why, thank you. No, my child, I don’t look ninety years old, do I?

“Now, take the cards and just shuffle them the best you can. Any way is acceptable. The cards have to taste you.

“Yes, that does sound unpleasant, does it not? Let’s say they must know you, but listen to me prattle on.

“Very good. Yes, the cards do feel oddly warm. Ah! They are ready.

THE FORTUNETELLER TAKES THE CARDS AND LAYS THEM OUT AS DESCRIBED IN THE MONOLOGUE.

“Let me lay them out before you facedown. Four in the first row, three in the second, and one in the third row: the past, the present, and the future.

“Now let us look at the past, maybe a past you have forgotten?

“Oh, look! It is the Spring Maid in Flowers!

“What? You don’t remember the Spring Maid in Flowers being in the Tarot? Why, of course not. These are my cards. My special cards.

“Oh, look how young and pretty she is! How innocent! How she revels in the dawn of each new day. Ah, how it makes me remember my own childhood, but now we may not be as innocent? What a world of sorrow we live in.

“Here is the Summer Meadow, but it is inverted. Oh, the pretty little one is not living in a very nice place. How distressing. She had all that purity, but she lives amidst people and places that are not so uncorrupted. Let’s look at the next card.

“The Fiends of the Heart. Oh, this is dreadful. Look at the picture. Look how the child cringes from the beasts that crowd around here, the monsters that have been sown into her heart by those who were monsters themselves.

“No, child, you do not need to shy away. There is no need to cover your eyes. It is just a picture, see? It is just ink on a pasteboard.

“Let’s move on to the next. This may be a Cinderella story, yes?

“Ah! The Questing Youth!

“Now, now, how can the woman in the picture look like you? Her back is turned to us. How do you know what you look like from behind?

“Yet, she is looking for something. She is searching, but what is she questing for?

“The next card!

“Oh! The Blessing, inverted. Oh! Well, we need not talk of this one at this time. Let us look to the present, shall we? Let us do so. Quickly.

“The Lovers Slain. Oh. Oh. One moment, dearest. Yes, my hands do tremble so. Ignore them. I am an old woman.

“Let me have that flask there. The brandy inside will steady my hands.

SHE TAKES THE BRANDY FLASK IN TREMBLING HANDS AND TAKES A SIP.

“You are correct. The slain lovers are all men, and there they lay, the poor dears, in one large carrion pile. They dared to love somebody. Let’s see who that could have been.

“Ah, the Puppeteer!

“Yes, her eyes are not kind, are they? They have no love or tenderness within their depths.  Her marionettes lie limp on their strings. Used and now useless.

“Please do not look at me that way. See, now? There are just two cards left.

“The Vengeful Dead. Look how they reach out from the pasteboard!

“Please, my dear. Please put the knife away. Please. Look! There is just one more card. You have to admit the cards have power, don’t they?

“This last card is your future. Just let me flip it over.

“It is blank!

“Nothing but an eternity of whiteness, but look! Something takes shape within the card itself.

“But my dear, where have you gone? Do you not want to see this card? The woman trapped within looks just like you.

THE FORTUNETELLER TAKES A LONG GLANCE AT THE CARD

“I shall call this card A Broken Doll in Hell.”

THE STAGE LIGHTS GO OUT



Written permission must be given for this monologue to be performed with the following conditions:

1. I must be given credit as the playwright.

2. Admission may not be charged unless the organization is a registered nonprofit or educational institution.

3. A video of the performance must be sent to me either through YouTube or another video hosting service.

 

Friday, September 6, 2024

Fogbound

For Inktober, Friday, October 30, 2020. Prompt word: "ominous." Tuckerization: Gregory Salter

A reminder that volunteering for tuckerization only means a character in the story shares the participant's name. Other than that, no similar characteristics are implied. 

This story is a continuation of the city stories that began with Sarkomand in Some Would Call it Worthless and continued in The Library.



Fogbound

by Alan Loewen

Gregory Salter continued his trek toward the west, following the road until the city-sized library was merely a speck in the distance. Having escaped the ennui of Sarkomand, he left the Library behind to see what might lay ahead of him.

The plethora of books he read was fascinating, and he was enchanted with the hundreds of lives he had lived, but after a while, he noticed, to his growing horror, that his real life began to disappear in countless incarnations. When Gregory discovered the basement filled with living skeletons, impulsively grabbing and reading one book after another, he filled an improvised backpack with food and water and fled.

With the weather warm and comfortable, Gregory passed the next two nights comfortably on the eastbound road, using only the canopy of trees as his only shelter.

It disturbed him that he had met no other people on the road, and the woods bordering it were eerily silent, devoid of the usual sounds of animals and birds. However, he continued his journey, and on the third day, he found himself walking into a mist that soon turned into a thick fog. Still able to see the road under his feet, he wondered if he should turn back but decided to soldier on. To bolster his courage, he found a thick branch in the woods that doubled as a walking stick and an improvised cudgel.

To his relief, he came to a set of city gates set in a stone wall. The fog was so thick that it was impossible to guess their height. Cautiously, he stepped past the entrance, surprised to see no people on the cobblestone street before him.

It was only until he walked a reasonable distance that he saw people furtively moving through the mist. They occasionally glanced at him but continued on whatever personal missions they had. None of them seemed willing to stop and talk to him, even though he tried to stop a few to ask questions.

He decided to avoid the dark stores with large empty windows, and though he was tempted to knock on the doors of the brownstone houses, he continued his trek through the fog.

A sign above a door gave him hope of finding answers to this weird city that had entered. The Cobblestone Pub beckoned him, and when he walked through the door, the patrons, sitting at the scattered round, wooden tables or leaning against the bar, turned as one to stare at him. Within seconds, they lost interest in him and either returned to their whispered conversations or turned to stare sullenly into their mugs.

Wishing to stay invisible, Gregory made his way to the bar. He beckoned to the barkeep, who came and silently stood before him with raised eyebrows.

“Excuse me, sir, but …” Gregory began, but the man interrupted him.

“You came from the Library,” the barkeep whispered. “You should have stayed there or returned to Sarkomand.” Stunned into silence, Gregory stood there as the barkeep turned and filled a mug with a dark liquid.

“On the house,” the barkeep said. “You’ll have to find a job to pay for your livelihood. There’s a guesthouse just down the street. They’ll take you in until you settle. Just don’t be out in the fog when night truly comes.”

“But,” Gregory stuttered. “I’m just moving on.”

A grim smile came to barkeep’s face. “Bad news, newcomer. Those who enter this city can never leave. Surely, they told you at the Library that no one ever returns from following the eastern road.”

“I have no idea what you mean,” Gregory snarled. “The gate I entered is just down the street from where I entered. I can leave anytime I want.”

The barkeep shook his head slowly. “When you walked through the gate, it changed into a solid, unclimbable wall. It was the same for all of us. There is no escape. Now, drink your beer and get to the guesthouse. We’re an hour away from nightfall. I have no rooms to let, and I don’t want you sleeping on a table.”

“What …” Gregory said. “What happens at night?”

The barkeep shrugged. “People just disappear. Sometimes, we hear screams when some idiot loses track of time and doesn’t find shelter. Now, let me be. I have work to do.”

The barkeeper turned away to check on other patrons, leaving Gregory staring at his own beer mug. Tentatively, he took a sip, and hunger and thirst made him drain the mug dry.

Uncomfortable with the silence, Gregory shouldered his knapsack and made his way to the guesthouse.

True to the barkeep's word, he was taken in and given a week to find a job and a place to live.

Also, the barkeep spoke truth about the gate. Gregory never found the entrance where he had entered or any way to leave. The stone walls surrounding the city were smooth as glass, and when he tried to talk to people about building a ladder to find the top of the fog-shrouded walls, they stared at him and passed on.

He found work with a mushroom farmer, as the various types of fungus were the only edibles that would grow in a city perpetually covered in fog. A two-room flat became his new home, and he quickly learned to avoid being out at night in the ominous fog. Occasionally, Gregory would be awakened by a distant scream of some victim of the night, and he would tremble in his bed until the morning, unable to return to sleep.

Countless years later, Gregory shuffled his way through the streets like the other citizens of the city. He never learned the name of the fogbound city. It was a mystery, a town without a name.

One evening, Gregory sat at his small dinner table and quietly spooned tasteless soup into his mouth. He blinked his eyes and shook his head. A sudden realization came to him. He hated this city more than anything. He hated his life, day by day, digging mushrooms out of offal and trudging home before the dreaded night claimed him.

He quietly put his spoon down and shuddered. Better an end to this nameless purgatory than another day of soul-crushing ennui.

Gregory got up, tucked his chair into its place by the table, and walked outside into the fog.

As night quickly descended. Gregory swallowed his terror and waited quietly.

He gritted his teeth until he feared they would crack under the pressure of his jaws, but he clenched his fists and refused to move, ignoring the other people fleeing to shelter.

Complete darkness crept upon him, and Gregory felt a cosmic cold envelope his body. He could not help it when a nameless dread made him turn toward his door for shelter, but it was too late.

He felt gravity reverse, and Gregory fell into the sky with a shriek.

He plunged heavenward, tumbling through the fog until he was above the clouds in a maddening fall upwards. He suddenly saw the stars. As he was swallowed up in their glory, Gregory, in his terror, abruptly realized he had discovered a way to leave the city after all.

Tuesday, June 18, 2024

The House on the Borderland; A Review


In the early 90s, I had the privilege of traveling to the British Isles and, while there, picked up a small paperback. I had never heard of The House on the Borderland or its author, William Hope Hodgson. I remember that Brian Aldiss wrote the introduction. Then I remember being so captured by the story that I reread the novel several times until one day, one of my cats destroyed my original copy.

At that time, I discovered ebooks, so I always had a copy of this incredible tale. However, a few days ago, I found a small paperback (see the above graphic) at a bookstore in Carlisle, Pennsylvania. Once again, I wandered with the narrator through the western part of Ireland, which is so rural and desolate that few maps of the area exist.

Written in 1908, the main story is framed by two men, Tonnison and the unnamed narrator, avid anglers who fish obscure streams for prize catches. One day, they discover the ruins of a large building perched precariously above a water-filled pit. Nosing about, they find the manuscript written by the last resident of the great House, only referred to as The Recluse.

Accompanied by his elderly sister and dog, Pepper, the Recluse enjoys his extreme solitude until one day, the House is unexplainedly besieged by hideous creatures in the shape of anthropomorphic swine from a nearby pit.

The story continues as the House works its evil will on the Recluse. With him, we fight off waves of the Swine-Things, explore the massive basement, the Pit, and experience a vision of the end of the universe. 

The bottom line is that lovers of weird literature can call themselves true devotees only if they have read this classic story. 

H. P. Lovecraft loved this tale, and he wrote:

The House on the Borderland (1908)—perhaps the greatest of all Mr. Hodgson’s works—tells of a lonely and evilly regarded house in Ireland which forms a focus for hideous other-world forces and sustains a siege by blasphemous hybrid anomalies from a hidden abyss below. The wanderings of the narrator’s spirit through limitless light-years of cosmic space and kalpas of eternity, and its witnessing of the solar system’s final destruction, constitute something almost unique in standard literature. And everywhere there is manifest the author’s power to suggest vague, ambushed horrors in natural scenery. But for a few touches of commonplace sentimentality this book would be a classic of the first water. (Supernatural Horror in Literature by H. P. Lovecraft)

Having reread this tale just a day agoeven though I knew what would happenthe writing still has the power to sway me with its cosmic horror, wonder, and subplot of lost love.

The House on the Borderland by William Hope Hodgson is in the public domain. eBook and PDF copies can be found through any of your favorite search engines. Paperbacks are available through any book dealer.




Wednesday, June 12, 2024

Good News For Writers

 

Earthsounds
False Advertising

I am a huge fan of old-school horror and will eagerly read anything from the late 1800s to the 1980s. I eagerly scour used bookstores for such treats, but occasionally, I run across one that is a real dog.

I introduce you to Earth Sound by Arthur Herzog.

Warning: Spoilers Ahead, but as nobody reading my review will include this in their library anyway, I write a review with lots of spoilers and not a molecule of a guilty conscience.

Harry Vail has a doctorate in seismology. However, he and his girlfriend were present at the March 27, 1964, Alaska Earthquake and Tsunami, an actual historical quake measuring XI on the modified Mercalli Intensity scale. Seeing his girlfriend buried alive under a landslide invoked in Harry an overwhelming dread of earth tremors of any size.

Eventually, Harry marries and moves to what he thinks is the most geologically stable part of the United States, a fictitious coastal town named Old Brompton Village in New England that makes Lovecraft's Innsmouth look like a Pocono resort.

Harry begins feeling tremors in the ground, but even though he is an expert in earthquakes, nobody believes him, and nobody else feels these quakes. Nor do they hear the Moodus noises, the earth sounds of the title.

Combine this with weird summer neighbors that have all the caricatures of the spoiled filthy rich, the hostility of the townsfolk toward outsiders, in the end you have an incredulous tale where you do not just suspend disbelief, you have to drag it kicking and screaming into a dark alley and beat it to death.

Of course, in the end, the big earthquake hits, one even larger than the one Harry experienced in Alaska that wipes out the town (where we eventually discover the townsfolk have been worshipping the Moodus noises for generations and, for some reason, will kill to keep it all secret). Unfortunately, I found the earthquake so anticlimactic that when I finally reached the end, I was grateful to have finished the book but saddened at the loss of time I invested in it. I'm just thankful the used bookstore only wanted $3.00 for it.

So why is this a good turn of events for writers? Because if Herzog could publish this doggeral, there is hope for all of us.

Now, what should I do with this book? I cannot give it to friends, and I certainly do not want it taking up space in my library. I will most likely donate this to a thrift store with this review tucked away within its pages.


Sunday, May 26, 2024

An Important Note to My Readers

 Dear Readers,

Your support means the world to me, and I would be incredibly grateful if you could take a moment to review my books. Your honest feedback not only helps me grow as a writer but also guides new readers to discover my work. When writing your review, mention what you enjoyed most about the story, how the characters resonated with you, and any favorite moments or themes. Whether it's a sentence or a few paragraphs, your words make a huge difference. Thank you for being such a wonderful part of my literary journey! Not a reader yet? Start your journey here. Welcome aboard!

Saturday, May 18, 2024

A 30-second Horror Tale


I gradually awoke to hear, “I ... I had a bad dream.” Her tiny voice trembled with fear. “C ... can I sleep with you?”

“Okay,” I said groggily and scooted over to make room. She got under the covers, her little body snuggling close, seeking warmth. Slowly, my awakening mind reminded me that I have lived alone for 20 years.


Apologia: This is loosely based on a real event in my life. And needless to say, ALL RIGHTS RESERVED.