Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Friday, March 22, 2019

What Started It All

My love for the macabre and the numinous was inspired by a number of books, movies, and television shows from my youth. Seeing Journey to the Center of the Earth (1959), my first film in a movie theater, when I was six years old and watching the famous Jonny Quest TV series when I was nine had a significant impact on my life and inspired my obsession with genre art. Yet, the greatest impact came when I was fourteen years old when I discovered an anthology in my junior high school library.

Great Tales Of Terror and the Supernatural was an anthology of 52 classic tales of horror and dark fantasy edited by Herbert Alvin Wise (1863-1961): a Wall Street broker and patron of the arts, and Phyllis Cerf Wagner (1916-2006): a writer, actress, and socialite. 

First published in 1944, when I signed the anthology out of the library in 1969, I had little knowledge of the impact the collection would have on my life, especially the two tales that came at the end of the book.

Out of all the classics available to my fingertips, The Rats in the Walls and The Dunwich Horror, by H. P. Lovecraft (1890-1937) were the ones that set my imagination on fire. In fact, of all the stories in the book, it was the latter that truly frightened me as I read of Dr. Henry Armitage desperately trying to stop a colossal, invisible monstrosity as it ravaged the backwoods of Massachusetts. I actually had nightmares.

Since then I have read everything the Old Gentleman From Providence has written as well as made two pilgrimages to his grave at Swan Point Cemetery. Since then I have crafted my own tales of terror, but none have ever come to the quality and impact of Lovecraft’s imagination. Nonetheless, if I ever become famous for my writings, it is because I stand on the shoulders of giants who have come before me.

Here is a list of the 52 stories present in the collection. The entire book is a free and legal download available at this link.
  1. La Grande Bretêche, by Honoré de Balzac (trans. of La Grande Bretèche 1832)
  2. The Black Cat (1843), by Edgar Allan Poe
  3. The Facts in the Case of M. Valdemar (1845), by Edgar Allan Poe
  4. A Terribly Strange Bed (1852), by Wilkie Collins
  5. The Boarded Window (1889), by Ambrose Bierce
  6. The Three Strangers (1883), by Thomas Hardy
  7. The Interruption (1925), by W. W. Jacobs
  8. Pollock and the Porroh Man (1895), by H. G. Wells
  9. The Sea Raiders (1896), by H. G. Wells 
  10. Sredni Vashtar (1910), by Saki
  11. Moonlight Sonata (1931), by Alexander Woollcott
  12. Silent Snow, Secret Snow (1932), by Conrad Aiken
  13. Suspicion (1933), by Dorothy L. Sayers
  14. The Most Dangerous Game (1924), by Richard Edward Connell [as by Richard Connell]
  15. Leiningen Versus the Ants (1938), by Carl Stephenson (trans. of Leiningens Kampf mit den Ameisen 1937)
  16. The Gentleman from America (1924), by Michael Arlen
  17. A Rose for Emily (1930), by William Faulkner
  18. The Killers (1927), by Ernest Hemingway
  19. Back for Christmas (1939), by John Collier
  20. Taboo (1939), by Geoffrey Household
  21. The Haunters and the Haunted: or, The House and the Brain (1859), by Edward Bulwer-Lytton 
  22. Rappaccini's Daughter (1844), by Nathaniel Hawthorne
  23. The Trial for Murder (1865), by Charles Dickens (a variant of To Be Taken with a Grain of Salt)
  24. Green Tea (1869), by Joseph Sheridan Le Fanu
  25. What Was It? (1859), by Fitz-James O'Brien
  26. Sir Edmund Orme (1891), by Henry James
  27. The Horla, or Modern Ghosts (1910), by Guy de Maupassant (trans. of Le Horla 1887)
  28. Was It a Dream? (1903), by Guy de Maupassant (trans. of La Morte 1887)
  29. The Screaming Skull (1908), by F. Marion Crawford
  30. The Furnished Room (1904), by O. Henry
  31. Casting the Runes (1911), by M. R. James
  32. Oh, Whistle, and I'll Come to You, My Lad (1904), by M. R. James
  33. Afterward (1910), by Edith Wharton
  34. The Monkey's Paw (1902), by W. W. Jacobs
  35. The Great God Pan (1894), by Arthur Machen
  36. How Love Came to Professor Guildea (1897), by Robert Hichens
  37. The Return of Imray (1891), by Rudyard Kipling (variant of The Recrudescence of Imray)
  38. "They" (1904), by Rudyard Kipling
  39. Lukundoo (1907), by Edward Lucas White
  40. Caterpillars (1912), by E. F. Benson
  41. Mrs. Amworth (1922), by E. F. Benson
  42. Ancient Sorceries (1908), by Algernon Blackwood
  43. Confession (1921), by Algernon Blackwood and Wilfred Wilson
  44. The Open Window (1911), by Saki
  45. The Beckoning Fair One (1911), by Oliver Onions
  46. Out of the Deep (1923), by Walter de la Mare
  47. Adam and Eve and Pinch Me (1921), by A. E. Coppard
  48. The Celestial Omnibus (1908), by E. M. Forster
  49. The Ghost Ship (1912), by Richard Middleton 
  50. The Sailor-Boy's Tale (1942), by Karen Blixen aka Isak Dinesen
  51. The Rats in the Walls (1924), by H. P. Lovecraft
  52. The Dunwich Horror (1929), by H. P. Lovecraft

Thursday, June 7, 2018

Christian Horror: On the Compatibility of a Biblical Worldview and the Horror Genre: A Review

Author Mike Duran is not one to shy away from exploring controversy. As an avid reader of his Facebook posts, Mike also has his own blog and he is well equipped to address the issues closest to his heart. Yesterday, I completed one of Mike’s rare nonfiction books, Christian Horror: On the Compatibility of a Biblical Worldview and the Horror Genre, a lengthy analysis of a genre rejected off-hand by most Christians as being a legitimate expression of artistic creativity. Nonetheless, there is a growing cadre of Christian authors who are tackling horror in its many forms including myself and the book was a breath of fresh air compared to the criticism so often leveled at people of faith who read or write in the horror field. 

Mike’s five chapters cover a number of topics starting with religious themes within horror as well as horror themes within religion. Jumping to an exploration of evangelical Christian culture and its relationship to literary and cinematic horror, Mike ends his book with an apologetic explaining his definition of Christian horror and then tackles in the final chapter several popular objections to what some consider the oxymoron: Christian horror. Along the way, he explores the work and philosophies of Stephen King, H. P. Lovecraft, Arthur Machen, Dean Koontz, and others like Ted Dekker and Frank Peretti. 

The result is a satisfying apologetic for those of us who write in the horror genre, but also written with a maturity to understand that there are pitfalls and dangers for the Christian artist regardless of their chosen field.

Monday, February 19, 2018

Incident at a Mausoleum: A True Story

On my honor, this is a true story.

Some years ago, my wife, sons, and I were visiting friends for the day. Going out into their backyard for a breath of fresh air, I noticed a cemetery just a block away on top of a hill. What struck my curiosity was the sight of a lone mausoleum sunk into the hillside.

Family name deliberately blurred out of respect and consideration
Fascinated by this solitary resting place separated from the other graves, I walked over to explore. Aside from a name on the padlocked iron sheet that formed the door, there were no distinguishing characteristics, not even a date of birth and death.

There were ventilation holes in the rusted door and curious, I peered inside to see if anything was visible.


Nothing could be seen but a dark interior. However, you can imagine my stunned surprise when from within the tomb, I heard the distinct sound of movement.

I jumped back and immediately scolded myself soundly for my overactive imagination. Carefully, I leaned toward the ventilation holes and once again, the unmistakable sound of movement came from behind the door, a sound like grave clothes brushing against stone.


My overactive imagination took full sway. Though I don't believe in ghosts, for one fleeting moment I entertained the possibility. I even considered that somebody may have been imprisoned within the mausoleum and left to die and I was hearing their desperate attempts to communicate.

Running back to my friends' house, I strode into the kitchen were they and my wife sat at the dinner table talking.

"That mausoleum over in the cemetery?" I began in haste. "The one you can see from your backyard?"

Oh, yes," my friend's wife said. "I've told my children to avoid it. It's completely full of snakes."

"Snakes! Why did it have to be snakes?"
Addendum: I found myself back at the cemetery today to officiate at the interment of a very dear individual and when I saw the mausoleum, the memory of my encounter came back in a rush. I took some quick pictures and decided to share them on my blog.

I was able to research the mausoleum. It contains the remains of only one individual who was interred in October 1922.

If any of my closest friends and neighbors recognize the site, please, out of respect and consideration for the family, do not mention its location or the name of the deceased in the comment section of this blog.

Thursday, October 12, 2017

Lycan (2017): A Review of One Dog of a Movie

I take no joy in savaging a film because I love movies. I also dislike releasing a review with spoilers, but director Bev Land just stole an hour and a half of my life and I'm not feeling in a generous mood. So, just in case there is somebody reading this who actually wants to watch this travesty, here's my warning:

SPOILERS AHEAD

Here's the plot in a nutshell: Six college students given the assignment to write a paper on revisionist history decide to tackle the hundred year old urban legend of Emily Burt, the "Talbot County Werewolf." So on the weekend before finals when every other college student is living on coffee and Poptarts, our intrepid college students take a horseback ride into the Georgia countryside looking for Burt's grave and end up getting killed by what could probably be a werewolf.

First, let me say what I liked about the film:
  • The cinematography is actually quite good, good enough that some scenes could have been used for the Georgia State Board of Tourism.
  • Actors Dania Ramirez and Craig Tate do an excellent job with the script they are given.
For the rest of this review, you might want to get a drink and some popcorn. This is going to be a long one.

After the title board tells us it's the year 1986, the movie begins with a sex scene. That in itself is a clear sign that the movie can't deliver as a horror film because it has to throw in titillating filler. The amorous couple are interrupted by something attacking their chickens and dog so they go outside to investigate and are attacked by something unknown and the screen goes black. Did they survive? Will we learn anything more about the couple?

Nope. The couple are never referred to again. It was just pointless opening filler.

Cut to a young Hispanic woman (Dania Ramirez) riding a bike. She stops to write some graffiti on a brick tower and then pedals on.

Cut to a college class with all the students clearly a decade older than they should be and you discover the next week is Finals Week, but instead of an exam, the teacher divides them into groups and gives each group the weekend to write a 20-page paper on revisionist history that will make up 50% of their grade.

And this has to be the cruelest teacher in existence. Evidently, the students have no other finals to study for or they are going to be in one painful time crunch.

So the group gets together in a traditional blend of horror movie college students including Isabella, the aforementioned Hispanic. The makeup of the group is so stereotypical, I was waiting for a Great Dane with a speech impediment to appear. The group decides to investigate an old urban legend of Emily Burt, the "Talbot County Werewolf" and I'm thinking, how are they going to get 20 pages out of that? And since its the weekend before finals, instead of researching old newspaper reports and interviewing local historians, they all decide to ride horses into the countryside in an effort to find Burt's grave. Really. On the weekend before finals.

But before they leave, we see Isabella working on a horse farm somewhere and she clearly has a large tramp stamp tattooed on the small of her back. Remember the year? It's 1986. The practice of women tattooing elaborate arabesques on their backs was not in existence in 1986, but nobody making this film cares. And why does the character of Isabella even have a tattoo? She's as introverted as they come and the idea of her sitting in a tattoo parlor just doesn't mesh with the character's personality.

So they all go off into the woods on horseback and almost all of them get killed in gory ways.

In the film, the chain holding the dog is not visible.
I could rant on and on about the stupidity of the story. How logical inconsistencies fill the plot and how certain events and locales make no sense at all, but here's my biggest problem.

From what I could discover, the original title of the movie was Talbot County. If they had kept that title, I wouldn't be writing this review, because I would not have purchased it. Instead, they renamed it Lycan and since I'm the president of the South-Central Pennsylvania Canid Research Group, I have a passing interest in werewolves and dogmen.

I bought the film thinking I was going to see a Grade B film about a werewolf.

Nope, it's just a Grade Z slasher flick. 

So, the biggest crime here is false advertising. If I buy a movie that implies a werewolf in the title, I want my werewolf, not two crazy women who pretend!

And in a second viewing, knowing who the killers are and why they are killing people, the inconsistencies scream at you. You would find yourself thinking, Wait up. That can't happen, or Why are the killers talking or acting like they really don't know what's going on?

Here's a link to the trailer. WARNING: TRAILER CONTAINS SCENES OF GORE AND BLOOD.



Thursday, August 31, 2017

The Apple Lady: A Poem

One of my first poems. Based on a true incident.

All except the last stanza. At least, that is what I would like you to believe.



The Apple Lady

ALL RIGHTS RESERVED


The night echoed a choir of crickets
Accented by an aroma of earth.
The moon washed the old orchard clean of color.

He ignored my protests against the chill,
The night, this vigil among the trees.
"Do you believe in wonder?" he asked.

My lie came easily.
"I lack imagination."

"In my twelfth year, " he said,
"I saw her among the trees
Clothed in autumn leaves
Hair red as autumn apples;
Her eyes like autumn frost."

I shook with more than cold.
"We should be home
With beer and friends,
Forget childhood dreams
And childhood lovers."

I left him standing
In moonlight and leaves.

With the rising sun
We found him fused
Into the bark of an old apple tree,
Taken in a wooden embrace,
A gentle smile on his lips.

Monday, August 28, 2017

Fifteen Super Short Stories



Many years ago when Livejournal was the Facebook of the day, a meme made the rounds of people asking others to recall when they first met. Well, let's just say I have a wild imagination. Enjoy.

+*+*+

In late October, 1918, shot down just five miles behind the German lines, DeBray and I hid in the burned out remains of an old manor outside the deserted village of Château de Chambord. Our self-imposed imprisonment was relieved by a well-stocked wine cellar and a deck of cards with the 8 of Hearts missing.

For weeks we regaled ourselves with tales over bottles of Bordeaux from such vintages as Lafite Rothschild, La Conseillante and Pichon Longueville Comtesse de Lalande. Playing poker, DeBray ended up owning all of France.

Weeks later, desperate to rejoin our unit, we drank the last, cast fate to the wind, and ran into the night in a mad attempt to breach the lines from behind.

The next morning we found ourselves near frozen in a potato field, our heads pounding.

A farmer told us the war had been over for weeks.

+*+*+

"Arthur C. Clarke’s Third Law states ‘Any sufficiently advanced technology is indistinguishable from magic.’" Stoker waved his hands like an orchestra conductor and created a herd of snow-white unicorns out of whole cloth. "Let’s applaud cerebral implants."

Another wave and gryphons joined the dance.

"I just can’t seem to be able to do that," I complained. I waved my hand and a dyspeptic unicorn smelling of old fish appeared and promptly melted into a greasy puddle. "What am I doing wrong?"

Stoker snapped his fingers and the puddle congealed into a pretty fairy who soared away on streaming wings trailing ginger and violet. "How are you building them?" he asked.

"Just like you. One molecule at a time."

"Ah!" he said with a nod. "There’s your problem. Your building blocks are too large. Start with smaller particles."

"Particles?" I asked. "What particles?"

"Elementary, my dear Loewen. Elementary."

+*+*+

I journeyed to Saint Kitts hoping the Caribbean sun would burn away my ennui. My paints had dried in my mind; my soul remained a blank canvas.

I heard her where she sang to herself in the front door of a little beach shanty. “My name is Tracy.”

She showed me mysteries in the tide pools and the sea caves. We explored the vendor stalls and I bought her a straw hat. We fed the pigeons in front of Saint Martin’s. She taught me how to drink Margaritas and how to laugh once again.

That night on my easel, I painted wild arabesques of color, pirouettes of pastels. Inspired fantasies flowed in watercolor.

The next morning, the beach stood empty, no trace of the shanty or its muse.

My watercolors are now famous, my best capturing her features with brightly-colored pigments mixed with my tears.

+*+*+

He sat in my counseling chair like it was a throne. “Humanity has grown weak,” he said grimly. “We gave them their chance, but they squandered their stewardship for bread and circuses. Now it is time for our return until humanity learns its responsibilities anew.”

I nodded and wrote “Delusional” on my notepad.

He stood and I cried out in surprise and awe as his eyes changed from human to the large orange slitted orbs of a tiger.

The receptionist burst into the room. “Dr. Loewen!” she asked, “What happened?”

I sat staring at an empty chair. “The old gods have awakened,” I whispered.

+*+*+

“My problem,” Razz said, reaching for her sketch pad and pencil, “is that I have too powerful an imagination.”

To demonstrate, she drew a butterfly that suddenly shimmered and flew off the page. I watched it flutter about my counseling office.

Razz shook her head in despair. “My apartment is filled with bats, unicorns, fairies, cartoon characters; all of them about the size of an eight by eleven inch sheet of paper.”

I meditated for a moment and then wrote out my prescription. Razz read it and smiled.

The next day, she returned grinning. “I never thought of drawing Aladdin’s lamp,“ she said. “I used my last two wishes to solve my problem.”

I twitched my nose. “Let me guess. Because you doubted his powers, you wasted your first wish on turning me into a giant green rabbit?”

“Bingo!” she said.

+*+*+
I remember it like it was yesterday.

It was tea time in Bejing and we had sat down for a quiet time of refreshment at Madame Chin's when the Tongs attacked.

I never knew you were so adept at self-defense with nothing but a pair of chopsticks.

Five minutes later, you rejoined me at our table, flicked somebody's spleen off the tablecloth and resumed your tea as if nothing had ever happened.

"Where ..." I gasped, "Where did you learn such martial arts?!?!"

You simply smiled at me over your cup of steaming Jasmine tea. "I see you never ate lunch at the Fullerton College cafeteria."

+*+*+

I remember it like it was yesterday.

When the Amazon Women from Mars invaded, Earth was thrown into total turmoil.

Fleeing the rubble of what was left of San Francisco, I found you walking among the wreckage.

"Those alien women are coming!" I cried. "We need to hide!"

You just smiled as you pulled out your ray gun. "Sorry, old chap, but I was one of the advance spies. Mars needs men."

Mars has such a pretty pink sky.

+*+*+

I remember it like it was yesterday.

There she stood on the balcony overlooking the lawn and you pushed me out into the moonlight where she could see me.

"Call her name," you said.

"E-e-e-s-Esmerelda!" I called, my voice shaking.

In the shadows you told me the words of love to woo her and I followed your advice and then and there she pled me her vows of true love.

"I'll be right down!" she cried gaily. I almost wept for joy.

She ran out into the dewy lawn and the moonlight and I reached out to hold her in my arms. Suddenly she saw me and with a cry of despair, she stopped and suddenly began to weep. "I thought you were Alexander!" she wailed.

I was the best man at your wedding.

+*+*+

I remember it like it was yesterday.

"Stay behind me," you yelled as we stormed the beach.

Bullets knit a tattoo of death around us, and though other men's lives were forfeit that bloody day, we made it to the first line of dunes.

"There's a pillbox just over this hill," you said. "Wait here until you hear the grenade go off," You grinned at me like it was a picnic outing.

Far over head, ack ack guns burst in colors of black and gray as Allied bombers flew deeper into enemy territory to deliver the death they carried in their wombs.

You rolled over the dune and I heard an explosion, but little did I know it wasn't the grenade you had yet to throw.

With a war cry, I stood to run over the dune and took a round in the gut.

When I came too, you were standing over me putting away the suture kit back into the med bag. "I had to jury rig you back together, but you'll be okay."

To this day, I still taste steel canteen when I belch, but you saved my life. I don't think I've ever thanked you.

+*+*+

I remember it like it was yesterday.

The undead had holed us up in an old Domino's Pizzeria. I and the three others were a screaming, lunatic mess, but you kept the rest of the survivors calm by finding what was left of the store's supplies and jury rigging some pepperoni pizza for morale as well as strength.

It was that evening when Dave carelessly showed himself in front of the big glass window.

Next thing we know, ravenous zombies had broken through and it was every man for himself. You stood on the counter and dealt final death to the undead with the biggest pizza cutter I had ever seen.

You got away. The rest of us didn't and I hope you still have the pizza cutter 'cause I'm coming for you and I'm getting really tired of eating nothing but brains and watching pieces of me slowly fall off.

+*+*+

You were cool, calm, and collected in your three piece silk suit. I sweated and twitched and looked like I had crawled out of a Salvation Army bin.

You were an old hand at the spy business. This was first outing.

She was slim and blonde and her legs went all the way to the ground and she wore a red dress that fit like it was her skin.

You swept her off her feet. I sweated and twitched and hiccuped.

When she betrayed us later than night, you smooth talked your way into having her release you from your bonds. She cried and kissed you, provided the keys and you swept her away to Istanbul where she now works as your new sidekick.

It seems you forgot your old sidekick. The bomb went off and now half my body is now metal and plastic.

I'm now the new Mr. Big and the world's #1 Bad Guy and when you and your new partner come to take me out, you'll find that all my sidekicks are ugly old men you won't be able to sweep off their feet.

I would write more, but it's 10 o'clock and I have to go oil myself.

+*+*+

I remember it like it was yesterday.

The clues given to us by that dying Mountain Shuar Indian had led us to the greatest treasure trove of all. The hidden gold of the Incan leader, Rhumunauhui.

We stood inside the ancient Incan temple and, because of my ignorance, I needed you to read the ancient pictographs on the wall.

"Yes," you said. "The treasure is behind this door. You open it and I'll nip outside to fetch more flashlight batteries.

The treasure was there just as you read, but you got the gold and I got the curse.

You now live in regal splendor, but I'm just a pile of amorphous slime and if it takes me all night, I'm going to ooze through that front door keyhole.

I'll see you in the morning.

+*+*+

I remember it like it was yesterday.

I had watched you walk past my place of business for weeks and one day I had to test my fortune.

You came strolling up the sidewalk and I knelt in front of you holding out a bouquet of true black roses and a box of bon bons made by Belgium chocolatiers from rich cream from virgin cows as I professed my undying devotion.

You looked at me with a withering glance bordering on pity. "You, sir, are beneath my station."

Today I drown my sorrows in absinthe, but I bear with pride the marks your stiletto heels made when you walked over me

+*+*+

I remember it like it was yesterday.

The Tyson Mansion was the Mount Everest of haunted houses and nobody had ever explored its arcane mysteries without going completely mad or failing to survive the night's adventures.

At two in the morning the apparition appeared, a grisly horror from a madman's worst nightmare.

In my panic, I dumped my attache case and threw everything I had at it: holy water, onions, crucifixes, sacred symbols, wolfsbane ...

Unaffected, it glared at me with malevolent evil.

You casually walked up to the monstrosity, looked it straight in the eye, and said, "I don't believe in you."

It vanished in a puff of skepticism.

+*+*+

I remember it like it was yesterday.

Of all the coffeehouses in all the forgotten corners of the world, you had to walk into mine.

Carlton at the piano played The Lady of Shallott in E minor. You stood elegant in a little off-the-shoulders number wearing a perfume that blended the best of jasmine and cinnamon and cardamon.

I treated you to a Coffee Cream Chantilly, my house specialty and we spent the night sampling arcane coffees from across the world.

In the morning, you excused yourself to powder your nose and when a half hour returned I realized you weren't coming back, especially when I noticed that you had so entranced me you had taken my wallet, my watch, my rings, my Saint Brendan medal, and my truss. You were good!

Keep it all. It's a small price to pay for the pleasure of your company, but please return my heart.

Monday, November 28, 2016

The Rough Draft of Patterns is Completed

Eighteen days to complete a rough draft is, I think, some kind of record for me, but the first draft of Patterns is complete at 5,690 words.

Now comes the very hard work of revision and correction and, though the basic plot will remain the same, I am free to add, subtract and revise until my heart is content with the finished product.

When will I know it's done? When I'm sick of the story and revision consists of nothing but shoving a few odd words around.

Then I start sending it out for its rejection slips. Here's an excerpt, but do remember this is a rough draft:


Ryan parked his car along the side of the street. North Second street in Harrisburg had, many years ago, been to domain of the upper middle class, but the years had made the brownstones appear to be a little more unkempt, a little more seedy in appearance.

The underlying pattern here was so wrong. It was unhealthy.

He checked his eyes in the rear view mirror, but this time, his eyes remained a crystal amethyst blue. He put his sunglasses back on.

An elderly woman came to the door at the sound of the doorbell, her eyes filled with suspicion.

“Ryan Williams, Mrs. McLain. I called you this morning?”

She sighed. “Come in.”

The interior of the home was the home of an old person, gravid with memories, the very air smelling of age.

Ryan turned down the offer of a glass of water.

“Thanks for letting me see you,” Ryan said. “As I said on the phone, I just have some questions about your late husband. When he passed, you sold some of his items at auction and now I own one of them.” He turned on his tablet and held it out to her so she could see the picture on the screen. “Do you remember seeing this? Remember anything about it?”

Arthritic fingers trembling with age, Mrs. McLain reached for the glasses she had hanging from her neck and placed them on her face. She studied the picture for a bit.

“Yes,” she said after a moment of silence, “I remember this piece. He picked it up on one of his travels to the Far East. I think he mentioned it in one of his books.”

She stood and toddled over to a bookshelf, taking down a small, dusty book. “It’s in here somewhere.”

Ryan took the book from her. “Legends of Lost Lemuria,” he said. “One of your husband’s books.”

He found the section with a few minutes of scanning the thin volume.

The ancients would train their wizards using various instruments and contests. I believe that one of these ancient tools was the predecessor of the Go board, one of the popular games of Japan throughout its history. This leads to the conclusion that either ancient Japan had open trade with Lemuria in its prehistory or that survivors of the Lemuria earthquake and resulting deluge somehow made it to the Japanese islands where they were absorbed into its peoples and culture.
Ryan handed the book back to his hostess. “Mrs. McLain, thank you so much for letting me see this. This answers my question.”

Minutes later, he held a pile of the late professor’s books as well as forty dollars poorer. Andrew McLain had self-published his books, leaving his widow with numerous boxes of books that would only sell to the fanatics who had long forgotten McLain’s work into prehistory in search of greater titillation. Understanding his hostess’ plea to rid herself of a few of the works, Ryan felt the money well spent, a donation to a widow in her dotage.

“By the bye,” she said, “as she walked him to the front door. “It’s rather odd that you should show me a picture of that thing he had.”

“Yes, ma’am?”


“The day he died? Poor dear. I found him in his office, slumped dead across it.”

Thursday, November 10, 2016

Patterns: My New Work in Progress


Ryan Williams wins what he is told is a Go board but when he gets it home, he discovers that the board is something older and far different than what he expected. And it is changing him as well as the world in which he lives. 

One of my few forays into the  horror genre, its projected publication as an Amazon Single is December 15th.

Sunday, October 9, 2016

Discussing Cthulhu At Capclave 2016

From LEFT to RIGHT: Darrell Schweitzer, Tim Powers, A.C. Wise, and some other dude

Capclave 2016 is now a pleasant memory and I had the pleasure of moderating two panels this year:

An Animal World discussed the roles of animals, both normal and anthropomorphic, in genre literature and included such luminaries as Mike McPhail, Bernie Mojzes (pronounced "Moses"), Michelle D. Sonnier, and Lawrence M. Schoen (pronounced "Shown"). All of them have impressive publishing credentials.

However, the highlight for me was moderating Sunday morning's panel Cthulhu Wants You! For Breakfast! with some of the biggest names in the field:

Darrell Schweitzer churns out novels and anthologies in the field of Lovecraftian horror and other Mythos work like you and I sneeze. And when he drops the big names known in Lovecraftia, he isn't being grandiose. He knows them all. His Facebook account is here.

If you don't know Tim Powers, you are missing one of the best writers in the fantasy genre of secret histories. A true gentleman, he is erudite and knowledgeable and the amount of research he puts into his books before he puts hand to keyboard is astounding. His best known work in the field of Lovecraftian horror is Descent, a Cold War espionage thriller involving Kim Philby, djinn, and the Ark on Mount Ararat.

A. C. Wise is a prolific author and her short fiction has appeared in publications such as Clarkesworld, Apex, Shimmer, and the Year’s Best Dark Fantasy and Horror 2015. Her latest journey into Mythos territory is her short story, When the Stitches Come Undone in Ellen Datlow's anthology, Children of Lovecraft.

So how does a hack like me best known for dark fantasy romances with a body count get to moderate a panel with such notable masters of the craft?

Well, let me tell you. Listen carefully 'cause I'll only tell you once:
You get on your hands and knees and you beg and weep and plead and sob and wail until they let you have the gig simply because you're being an embarrassment. 
But, hey! It works!


PS: My own foray into experimenting with Lovecraftian horror is my collection, Dark Dreams and Darker Visions. It is presently available as an eBook, but a reedited Kindle version will be coming out soon.




Dark Dreams and Darker Visions paperback (Amazon US)

Dark Dreams and Darker Visions paperback (Amazon UK)
Dark Dreams and Darker Visions paperback (Amazon Canada)
Dark Dreams and Darker Visions eBook (Amazon Australia)


Also, of interest, might be my chapbook Come Into My Cellar: Darker Tales From A Cerebral Vault, only available for the Kindle Reader also available from Amazon.


Friday, April 15, 2016

Inspiration For An Incident At A Carnival

Paperback Cover
Not all my ideas for stories come from dreams.

My short story, An Incident At A Carnival, is a piece that is entirely in dialogue and was first published in the March 2012 issue of Cover of Darkness magazine that unfortunately is out of print. However, the story is still available in my collection, Dark Dreams and Darker Visions, both as a paperback and an eBook.

The narrator, Madame Gianopoulos, is a carnival fortune teller with a "wicked pack of cards." Written completely from her point of view, An Incident At A Carnival is her one-sided conversation with a young lady who decides to have her fortune read resulting in tragic consequences. Here are the story's opening lines.
“Please come inside. Sit down there across the table from me.
“My, my. What a pretty one you are!
“No, no, my dear. Don’t be concerned over a silly old lady like me. Sit! Sit!
“So you want to know the future? Maybe the past? Yes?
“Well, of course you already know the past! At least you think you do, but my cards have a way of helping you remember it.
“Ignore the noises of the carnival outside. Here it is just you and me.
“Now I will unwrap the cards and we shall begin.
“Yes, that’s real silk they are wrapped in. I’m not some carnival hack, not Madame Gianopoulos. I have dealt these cards for over seventy years.
Madame Gianopoulos found her genesis in Madame Sosostris, one of the subjects of T.S. Eliot's epic poem, The Waste Land (written in 1922):
Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.
You can read An Incident At a Carnival in its entirety along with nine other tales including The Pond, Now I Lay Me Down To Sleep, Killer Lullabies, and The Pig and is available internationally through your country's Amazon.com.

eBook Cover
Amazon USA Paperback

Amazon USA eBook

Amazon UK Paperback

Amazon UK eBook

Friday, March 11, 2016

Allow Me To Entertain You (Horror Thriller Sample)

I wrote this so many years ago I honestly can't remember its genesis any more. However, I canned the project when the film 28 Days Later basically copied the same scenario to start their own story. I have since come up with a completely different beginning, but i thought you might enjoy reading the original opening scene.

As this is a horror thriller, this is probably not one for the kiddies.

Chapter One
June 12, 2002
2:00 a.m.
Harrisburg, Pennsylvania


Tony drew the last drag on his cigarette and threw it to the ground where it sizzled in a thin puddle of rain. Crap, he thought, six hours left and four security rounds to go.

He stood at the gated entrance to Bright Futures, Incorporated, the chill from the rain penetrating the small, lighted booth where he sat doing gate duty. At two in the morning he appreciated the phrase, graveyard shift. The city streets lay empty. Tony hated being outside alone.

The fact there were two higher ranking security guards located in the large building complex behind him, didn't give him any warm feelings of safety. Three more months of night work at the gate and he'd be in the warmth sucking down coffee and watching old movies.

Well, watching television and dealing with the moody Doc Virkler. Virkler had a habit of working late and even tonight the Doc's car was still in its parking slot.

"Hey, Webby!" the intercom squawked. "You made a perimeter check yet?"

Tony cursed and hit the button. "Just leaving. I'll get back to you in fifteen minutes."

"Hey. Jones says not to get wet." In the background the other guard could be heard laughing like a moron. Tony shook a fist at the intercom and grabbed his flashlight.

The lights of a van slowly coming down the street illuminated Tony as he left the booth. He tensed as the van pulled up to the gate, but relaxed when an elderly woman rolled the driver's window down and yelled at him through the rain. The concern on her face was evident through the light drizzle.

"What?" Tony asked as he shrugged his shoulders for effect. The woman waved a road map and yelled something about a something, something Avenue.

Tony sighed and unlocked the gate. The rules were specific about going outside the perimeter, but he hated to think about an old woman riding around this part of the city at night. All sorts of maniacs ran the back streets of Harrisburg after sunset.

As Tony walked up to the van, he tried to blink the raindrops away. His vision finally cleared just in time to see the strange-looking gun the woman pointed at him. Before he could react, the gun gave a loud pop and two darts went right through his rain slicker and into his chest. Connected to the gun by thin wires, one hundred thousand volts of electricity slammed him to the ground.

The back of the van popped open and five people in camouflage jumped out. Two of them grabbed Tony as he twitched on the ground and dragged him through the gate and into the booth.

"He's gonna be okay?" asked a woman, her bright blue eyes in contrast to the black shoe polish she had streaked across her face.

Tony gurgled as if he was trying to answer for himself.

"Yeah, he's gonna be fine," answered a young man. "Judy, you and Connie tie him up. Bill, you and Heather go to that back door. We'll be with you in just a minute."

The leader ran out the gate and to the woman who was still in the driver's seat. "Mary, park the van at the curb and turn all the lights off. We'll be out in thirty minutes."

"You be careful, Charles," she said as she shifted the van in reverse. As he waved, she gave him the thumbs up sign.

In the guard's booth, Judy was trussing up the guard with his own cuffs while Connie worked a gag into his mouth. Tony's eyes looked like they were just starting to regain their ability to focus.

Charles pulled out a leaflet and slapped it on the small desk. "C'mon. We've got twenty-nine minutes."

The trio ran out into the rain. As Tony struggled with his bonds and listened to the footsteps fade in the distance, a small breeze blew the paper off the desk. It fluttered down to land in front of Tony's nose where he stared vacantly at the typewritten words.

Animal Oppressors of the World Be Warned!

We, the soldiers of the Animal Freedom League have declared Bright Futures to be an oppressor of our animal sisters and brothers. We find them guilty of using defenseless animals for unnecessary cosmetic research.

These animals have been liberated and are under professional care. Their torments will be documented and all information will be released to the media.

* * *

Charles, Judy and Connie joined the other two near a side door of the complex. There, sheltered from the rain by an overhang, they quickly huddled together in conference.

"The door's open, Charles," Heather whispered. "The secretary did it!"

"Thank God for greed and low salaries," Charles grinned. "Now listen. You remember the floor plans. Bill, you, Judy and Connie go for the monkeys. Heather and I will go for the rabbits." He smiled, relieved at how easy everything was going. "We only have twenty-seven minutes at this point, so keep moving. Stay away from the main lobby. If you see any guards, get them with the mace. Now let's roll."

Bill opened the door into the fire escape. Following him, they quickly made their way to the second floor. At the top of the stairs, Charles slowly opened the corridor door and peered into the dimly lit hallway. Quietly, they made their way down the corridor where the group split at an intersection.

Charles and Heather stopped in front of a door marked Research. They opened the door into an open laboratory stocked only with equipment. They looked at each other puzzled.

Quickly, they went back into the hallway, but all the rooms were offices, meeting rooms and other laboratories empty of animals. Where the bribed secretary had assured them were helpless rabbits held slave to the vanity of American women, there was nothing but rooms filled with desks, chairs and microscopes.

They made their way back to the fire escape where they found Judy waiting for them.

"Did you find the rabbits?" Judy whispered.

"No. Did you find anything?" Charles asked.

"We didn't recognize the hallways, but we found this big metal security door. C'mon."

They followed their fellow member who led them through the maze of hallways. At the end of a short hall was a large, metal door marked Authorized Personnel Only. A small panel with a silhouette of a palm print was the only other marking.

Charles tapped on the metal door. "I would love to know what's behind this," he muttered.

Suddenly, Heather grabbed his shoulder. "Shh. Listen," she whispered intently. Down the corridor behind them, came the sounds of footsteps.

Charles motioned the rest against the wall. He slipped the mace out of his pocket and flipped the lid.

Around the corner, intently reading a sheaf of papers, an elderly man in a laboratory coat made his way toward the door. Engrossed in his reading, he didn't know about the intruders until the mace hit him in the face from only ten feet away.

With a cry, he grabbed his eyes and dropped to his knees. Charles and Bill grabbed him and dragged him down the hallway.

"Shut up! Shut up!" Charles hissed at him. The three women simply stared at the men with guilty looks. Animal oppressors weren't supposed to look like their grandfather.

The old man coughed and sputtered. Charles stared at the scientist and then stared at the handprint on the door. With a triumphant grin, he and Bob manhandled the employee to the door and forced his hand on the template. In seconds, the panel glowed and, with a hissing sound, the door gave a click.

Bill quickly opened the door and they dragged the man into the adjoining hallway. Leaving him slumped against the wall, Charles brusquely motioned the women through the door.

"Keep an eye on him," Charles ordered the women. He started opening doors. "Bull's eye," he said. Inside the room were stacks of large, empty animal cages. "We're getting closer."

Charles grabbed the employee by the lapels and glanced at the name on his security badge. "Listen, Doctor Virkler," he said to the man who was still coughing and rubbing his eyes. "If I hear you yell, you're dead."

He motioned for Bill to help him and, again, they half-dragged, half-carried the doctor into the room where they tumbled him into a cage. Charles locked the cage and motioned for Bill to close the door.

"Charles," Heather said, her face twisted in contempt. "We're pacifists. You threatened that man!"

"Now's not the time to worry about it," Charles hissed back. "We're in the right section. Let's go."

Charles and Bill began throwing open doors, the women reluctantly following behind. Though there was still no sign of rabbits or monkeys, the laboratories were obviously designed to handle animals.

Around a hallway they found another door with a large wheel located in its middle. The unmarked door appeared to be solid steel.

"Jackpot?" Bill asked, smiling at Charles.

"Only one way to find out."

A few turns of the wheel and the door opened to show seven feet of hallway and another similar door. Bill and Charles looked at each other in puzzlement.

Heather put her hand on Charles' shoulder. "Listen," she said. "It's weird to have two doors like this. This looks like an airlock. How do we know there's not something poisonous or radioactive on the other side?"

Charles gave her a patronizing look. "In a cosmetics firm?" he asked. " Anyway," he said, motioning to the bare walls. "If there was anything bad on the other side, there would be some special symbol. It's required by law. If you're nervous, go outside and close the other door. Bill and I'll open the other. We'll knock when everything is okay."

Heather looked at the other two women who shook their heads in the negative. "No, Charles. We stand together. Open the door."

Charles spun the wheel until it could turn no further. With a tug, the heavy door easily swung open on its hinges.

* * *

The pain in Doctor Jonathan Virkler's eyes had finally begun to recede and he could take deep breaths without coughing when he heard the first screams. Oh, no, surely they didn't.

He kicked at the cage door, but the lock held. Knowing what was probably in the hallway by this time, maybe he was safer inside the pen. He heard people running and screaming.

In a moment the screams stopped.

Virkler discovered the silence was worse.

Not aware he was holding his breath, he watched the shadows form underneath the door. It shook as someone jostled it. Virkler's heart began beating so loud, he was certain what was outside could hear.

Silently, he prayed, remembering there were no atheists in fox holes. Or animal cages.

His heart surged with fear when he heard the sound of the door knob slowly turning. The door slowly opened to blazing hall light and the doorway filled with the silhouettes of his children.

All sixteen stealthily entered the room and surrounded his cage. Sixteen pairs of golden feral eyes glared at him through the thin bars of the cage.

Virkler curled himself into a fetal position and his mind made him go far, far away.

* * *

Tony was still groggy from the taser when creatures from a fever dream galloped past his guard station.

Running on all fours, they were much bigger than his Great Dane. One stopped at the open door of the station and stared in at him.

Stupidly staring back at it, Tony watched in a daze as the creature snuffled at him. It ran long-fingered, heavily calloused hands over his uniform. It puzzled at the handcuffs, sniffed at the gun and batted it away.

Tony was glad when the bad dream turned its back on him and run out the door. That's when he heard the screams and the sound of breaking glass.Tony started to cry and thought sad, befuddled thoughts about a lost, elderly woman in a van.

Monday, February 8, 2016

Steampunk Cthulhu: Mythos Terror in the Age of Steam: A Review

As a reader of anthologies as well as a writer who has been published in a number of them, I can say that for those whom the gods (Elder Gods?) destroy, they first make them an anthology editor. Far too many anthologies suffer from a number of ailments such as stories that do not necessarily fit the theme or are very uneven in quality, or the editor's ego gets in the way of final product.

I picked up Steampunk Cthulhu: Mythos Terror in the Age of Steam, edited by Brain M. Sammons and Glynn Owen Barass with a shrug, fully expecting the typical anthology with its typical flaws and I can say with unequivocal delight that I struck a gold mine.

The 17 stories collected here are mostly very high quality tales where the authors do the very difficult: combine the myriad aspects of the Chtulhu Mythos within the steampunk genre and make it look flawlessly easy.

Those Above by Jeffrey Thomas takes place in a world where the sky above is filled with an eldritch horror that feeds on dreams and steampunk technology appears to have come to the rescue of the hapless humans that live below. At least that is what appears to be the case.

The Blackwold Horror by Adam Bolivar tells of a folklorist traveling to England's West Country to research its tales and legends and spends a frightful night with the host and staff of Blackwold Abbey.

No Hand to Turn the Key by Carrie Cuinn tells the tale of an alternate future where humanity has been wiped out by Mythos horrors leaving only automatons behind to defend what remains of Earth's human legacy. The result is a touching tale of sacrifice and hope in the face of overwhelming odds.

The Reverend Mr. Goodworks & the Yeggs of Yig by Edward M. Erdelac is the story of a traveling preacher who is more steam-powered automaton than human as he seeks to rid the American Old West of a cult that has taken root in the town of New Valusia, a cult bent on world domination.

Carnacki – The Island of Doctor Munroe  revisits the occult world of detective Thomas Carnacki, first created by English fantasy writer, William Hope Hodgson. Other writers have expanded on Hodgson's creation, but author, William Meikle, has remained true to the Carnacki tropes while  avoiding the stale creation of a pastiche.

Pain Wears No Mask by John Goodrich is a fascinating tale of several air pirates determined to steal the Crown Jewels that are kept on board the airship of England's reigning monarch. It is a tale of greed and corruption and The King in Yellow.

Before the Least of These Stars by Lee Clark Zumpe is a beautifully crafted tale of a man trapped out of time in a world where humanity is under attack by the Old Ones from the sea.

The Promised Messiah by D.J. Tyrer revisits the world of the King in Yellow. An inventor has created a machine that writes poetry. In his home, he has invented a machine that channels horror.

Unfathomable
by Christine Morgan is a story of an advanced steam-powered submarine with a worthy crew of sailors and scientists sailing to retrieve a meteor that has fallen in the ocean. It is something far, far worse.

The Flower by Christopher M. Geeson is a tragic retelling of the American Civil War with steampunk weapons and a historical twist that puts the tale solidly in Lovecraft's mythos.

Tentacular Spectacular by Thana Niveau is an odd and horrific tale about corsets. That's all I'm going to say.

Fall of an Empire
by Glynn Owen Barrass & Brian M. Sammons is a sprawling tale starting with a female thief worthy of her own series. After her failure to achieve her objective, the story flashes ahead a few years where a Lovecraftian horror is now ruling the world through the British Empire. Unless three rebels bring its reign of horror to a close, humanity has no future remaining.

The Baying of the Hounds
by Leigh Kimmel unites Thomas Edison and Nikola Tesla as they team up to bring the world back to normal after one of Tesla's experiments goes horribly wrong.

Mr Brass & the City of Devils
by Josh Reynolds is the story of a Pinkerton detective who is more automaton than human and his urgent mission to stop a cult from unleashing a world of horror upon the Earth. In the tale we revisit the Mi-Go, the creature from Robert Bloch's, The Shambler from the Stars, and the ghostly reptilian race from Lovecraft's, The Nameless City.

The Source
by D.L. Snell tells the tale of Corwin Carroll, an inventor of steampunk weapons for the armies of the American Revolution. However, he learns that inquisitiveness and the drive to invent without thinking out the repercussions has a price.

Happy Birthday, Dear Cthulhu
by Robert Neilson is a story of another weapons manufacturer who discovers that Mythos horrors make great fuel for his steampunk creations. But somebody else wants his discovery for themselves and they are more than willing to kill for it.

The Strange Company by Pete Rawlik is the last story and a hodgepodge reminiscent of The League of Extraordinary Gentlemen using multiple characters across the Mythos tales.

All in all, if you like steampunk and you like tales of the Cthulhu Mythos, Sammons and Barass have done a superb job in putting this anthology together. It appears they have partnered for others with the blessing of Chaosium Press and I look forward to their future offerings.

For Your Halloween Reading

Waaaay less expensive than a cup of coffee, enjoy these tales for your Halloween reading: Dark Dreams and Darker Visions A serial killer sta...