Showing posts with label essay. Show all posts
Showing posts with label essay. Show all posts

Sunday, January 17, 2021

Come Into My Cellar (My Love Letter to the English Language)

Come Into My Cellar (My Love Letter to the English Language) 
by Alan Loewen
ALL RIGHTS RESERVED



Words mean something to me. Though far from being the wordsmith I long to be, I love the magic of words and what one can do when one carefully puts them together. I gloat over words like a curmudgeonly wine connoisseur hiding in his deepest cellar lingering over his dusty bottles of rare vintages. 

Take this one for example. Uncork the bottle. It contains only one word: senescence. Let its aroma fill you. Taste it. Feel how it lingers on the lips, its repetitive sibilance pleasing to the ear. It needs such little effort for your tongue and mouth to reshape the monotone drone produced by your vocal cords. Yet its sweetness hides its true meaning. Like the snake it simulates, it conceals behind its aesthetics madness and horror. Senescence speaks of age-induced dementia when the human brain falls far from its glory into senility and oblivion. I shall put this bottle back onto the rack and treasure it for another day. Its pleasant aroma turns to the attar of the grave if played with for too long. 

So many delightful words here all bottled up, waiting for me to combine them like an alchemist of old. If done well, I can make the imbiber experience delight or desire or sorrow if, and only if, I can master the fine art of blending. 

Over here is my collection of combinations. Using the essential elements of words, I have created fusions of linguistics and grammar resulting in unique elixirs and tonics that I believe turned out rather well. 

Here is one of my favorite aromatics. Give it just a sip and let it linger on the palate of the inner ear. Tell me what you think: 
I cannot say I own Elysia House. Better to say she owns me. Laugh if you wish, but I hear the whispers. Elysia is alive—self-aware—responsive to those who breathe and move within her walls. And over the months, I have come to find a rest here as well as a calling, for Elysia has her secrets. I now plumb her endless mysteries while wandering her oak-paneled halls as a willing revenant. 
Ah, yes. Personally, I think that is a savory one. So many more here. Some are meant merely to give a moment's respite, a cheap, no-name vintage for a moment's slaking of one's thirst, but there are others here that may tarry with you for a while. 

All these beautiful words. All these lovely cordials. Mine, all mine. 

No, no! Don't touch that bottle. Yes, that one with the green label where the very glass feels slimy to the touch. Let that one be. Some are meant for my palate only, libations best kept bottled up forever. 

Here. Try this one instead. It is my favorite. Open it and let its fragrance overwhelm your senses. It is my most treasured possession. 

It starts out, 'Once upon a time ...'

Wednesday, July 3, 2019

My Free Online Stories


As I write to entertain, I have been guilty of posting stories for free on this blog and here is an easy master list for you to easily find them. If you are entertained, as a I hope you are, please feel free to purchase any of my collections at your nearest Amazon and please do not forget to leave a review. Needless to say, ALL RIGHTS RESERVED! Feel free to link to the stories, but please do not cut and paste, download, or copy.


Complete Short Stories


  1. Gray Matter: A Dark SF Story in Six Paragraphs
  2. The Man Who Loved A Doll: A Parable
  3. The City of Sarkomand, A Guide for the Traveler
  4. Child of Sorrow
  5. Quatermass vs. the Aliens
  6. Nightmare
  7. Fake Memory Challenge--Sixteen Tiny Tales
  8. The Sinister Minister's Thanksgiving Confession
  9. Molly's Christmas: A Story For Children
  10. The Star: A Super Short Christmas Story
  11. A Lord of All Futures Christmas Tale
  12. Diesel-Punk Super Short For Your Amusement
  13. Revelstone 2020: A Cyberpunk Story
  14. Adrift Off The Great Red Spot, 22°51'23.14"S, 98°49'24.40"W
  15. Sheila: A Morality Tale
  16. Jenny, Sweet Jenny
  17. Kill Your Darlings
  18. Timely Revenge
  19. Fifteen Super Short Stories
  20. Wolf Hunter: A Short Story
  21. The Curse: A Flash Fiction of 450 Words
  22. Summer Games: A Short Story
  23. Wild Carrot (humorous short story)
  24. Lair of the White Rabbit (Vignettes)
  25. An Exercise in Insanity (44 Super Short Stories)

Desperate Attempts at Humor (Please Don't Hurt Me)

  1. The Psalter of Saint Brumphrey the Unstable
  2. It Is The Month Of March And My Heart Yearns For Paris
  3. A Writing Exercise From 2011 (Zombies)
  4. Cheerful Company And A Merry Time
  5. Meditating On The Afterlife
  6. The Detective, The Dame, The Diamond, and the Dog
  7. Trekking With My Mother Through The Kohl’s Bra Aisle
  8. Rabbit Barf Cookies or "Get That Man Out of the Kitchen!
  9. Paranormal Romance? Let Me Give It A Shot. Oh, Man, I'VE OFFENDED MYSELF!
  10. The Horror... The Horror... (Teaching at a Homeschool Co-op)
  11. The Many (Supposed) Faces Of The Rev. Craig "Alan" Loewen
  12. Almost ALL My My Little Pony Satires
  13. Spells From Loewen’s Dark Grimoire
  14. My Schnuffel Bunny Intervention
  15. What Is A Bodice Ripper Genre Story?
  16. A Christmas Carol Parody
  17. When It's Superbowl Sunday and You Have No Life
  18. A Day In The Life of Detective Nick Weaver
  19. The Tea Experiment: What Hath My Madness Wrought?
  20. The Rotwang Convention For Mad Scientists
  21. Pepsi
  22. Winter Tales from the Blizzards of 2015 and 2016
  23. Grey Ghost and Doom Storm Reminisce
  24. 10 Pointers When With A Werewolf
  25. My First and Last Interview
  26. Belinda McFate: The Literary World's Weakest Female Character
  27. My Road Trip - Day 344
  28. The Most Common Cause of Death Among Literary Characters
  29. Mrs. McGillicuddy's Home for Unwed Cats
  30. Case Study: Counseling Transcript of Client Blanche Thibodeaux

Fragments

  1. Faydra: A Tale From the Fractured World
  2. Slender Man: An Excerpt From An Old Work
  3. Grave Gate Sample
  4. I Dream of a Cat at a Parisian Bistro
  5. When Imagination Calls (Story Excerpt)
  6. Rat Hunt: A Story Excerpt
  7. Rat Hunt Segment #2
  8. The Lord of All Futures Story Excerpt
  9. Elysia House
  10. Sister Unicorn: A Fable For Adult Children
  11. Doll Wars: The Prologue
  12. The Hunters Three: An Experimental Story
  13. The House: An Excerpt
  14. The Lord of All Futures Story Excerpt

Poetry

Tuesday, August 29, 2017

The Immortality of the Written Word

“Writing for immortality is not a good idea” ~ H.J. Jackson in her new book, Those Who Write for Immortality: Romantic Reputations and the Dream of Lasting Fame

Around my neck, I wear a Chinese coin on a leather thong, one that comes from final days of the Song Dynasty under Emperor Huizong. I can amuse myself for hours considering how the metal smith would react if he knew one of the coins he created would last for 900 years and end up hanging around the neck of another human being whose race, culture, language, and technology would leave him in a combination of terror and awe.

But then, it also makes me wonder how the authors of the past would react if they knew their books lasted well beyond their own lifetimes such as Plato, St. Augustine, H. P. Lovecraft, and others.

And that brings me to a book I just completed reading yesterday. Browsing in one of the most disorganized used book stores I have ever encountered, I came across an old beat up paperback with the title, The Mark of Pak San Ri written by one William Stroup. Because of my love for Sax Rohmer's Fu Manchu novels, I took a chance and purchased the paperback  expecting it to be a cheap knockoff. In fact, the author makes bold mention of the fictional character of Fu Manchu in the story.

It's not the best book I have ever read, basically a very formulaic pulp. Richard Quinn is an ex-G.I. living in postwar Seoul in South Korea when he witnesses a murder. The rest of the book is his attempt to solve the mystery behind the crime as he tries to keep one step ahead of of Pak San Ri's assassins that appear to be about 50% of the entire population of Seoul. The events of the story follow a precise formula:
  1. Quinn ignores good advice to stay out of trouble.
  2. He gets into a fight with the Korean crime lord's minions.
  3. He gets knocked out.
  4. He comes to, facing certain death.
  5. Quinn is rescued at the last moment by his friends or the U.S. military who are looking for him or just happen to be in the right place at the right time.
  6. Repeat this four more times.
A typical pulp story, there is a lot of violence and sex and Quinn gets knocked out so many times in the story, you wonder how he survives without a terminal concussion. He also gets branded with a hot iron, kicked, beaten, and even takes two bullets just because he can, but like a good Timex watch, he takes a beating and keeps on ticking.

But it's a fun read if you can get beyond the pulp tropes and the illogic of it all.

SPOILER ALERT!

I will give kudos to the author for revealing that Pak San Ri is one of the most beautiful women in all of Korea. I didn't see that one coming as the story implies a male antagonist throughout. (Hold down your right mouse button down and skim it over the darkened part to read the concealed spoiler.)
 
However, the point of this essay is not about bad writing, but the author William Stroup. I wanted to see what else he had written and that sent me into the dusty corners of the Internet to discover there is very little to discover about the man. From what little I can gather, William Stroup was born around 1903 and passed away sometime near 1966. It appears The Mark of Pak San Ri is the only work he ever wrote and only one of the seventeen paperbacks published by the short-lived Book Company of America (Beverley Hills, California). Stroup lived in Hermosa Beach, California, but it is not known for how long. Because of the novel's intimate references to army life as well as Korea, I assume Stroup served in the Korean Conflict while in the army. However, if the birthdate is correct, he would have been in Korea during his early 50s. A search of military archives reveal nobody named William Stroup.

So the gentleman disappears in the mists of time, his sole novel being his own literary immortality.

I do not write for immortality. I write solely to entertain, but I confess that it amuses me to think that maybe someday, some decades in the future, some blogger may comment on one of the novels or collections he or she discovered while traversing the dusty, narrow aisles of some disorganized used book store.

Time will tell.




Wednesday, April 19, 2017

My Life Choices May Have Denied Me The Stars...


(Note: If this little discourse interests you in what playing Traveller might offer, Traveller-RPG is a Facebook interest group that is a wonderful place to start.)

I love role-playing games. In fact, at one time in my life, I may have loved them a little too much.

I was introduced to Gary Gygax's Dungeons and Dragons in 1977 when studying for my Master's at Shippensburg University. I then got involved in other tabletop role playing games such as Call of Cthulhu, The Morrow Project, and then what became my favorite, Marc Miller's Traveller.

The Game Master for Traveller was the late Jim Forrest and with Jim moderating the game, I, as retired Merchant Marine Captain Heinrich "Himmel" von Geobbels, plied the starways trading illicit goods among the stars and trying to avoid the legal clutches of the Third Imperium. 

The day Himmel died attempting to rescue his stranded crew was a day of actual grieving, but I appreciated what I had learned from him. It's hard to get worried about the real annoyances of life when your ship is on fire or you're wasting away in some backwoods planet in a third-rate Imperial jail.

There are many observations said about writers that have a modicum of truth to them, one being that many writers write for an audience of one: themselves. What follows is an essay in the form of a dialogue, a form known as the Socratic method. Though I rarely write for myself, the reader should be able to grasp my main point if they are even remotely familiar with the concept of role-playing games, a diversion that consists of two or more people creating a genre story using dice, pencil and paper and a rule book. One or more of the players operates in the game through an imaginary character. These games can be “one-evening” affairs or can be played as campaigns that can take years.

An Evening Visit
by Alan Loewen
ALL RIGHTS RESERVED

Friday evenings are always peaceful around my home, this one especially so. My wife and three sons had traveled down to visit our elderly neighbor while I sat alone in a comfortable chair in the den staring intently at the computer screen. A large glass of some carbonated beverage at my right hand, I allowed the evening to casually slip by into the past while I idled away the time.

The interruption to this irenic scene came as abruptly as it was shocking. I felt the sharp edge of a blade thrust against my throat, just under the chin. With a gasp of pain, I felt the edge press even more deeply just shy of actually drawing blood.

Out of my peripheral vision I followed the blade edge, a long, sharp rapier, and saw who held the hilt for my second shock in as many seconds.

The man holding the rapier to my throat smiled down at me, a smile that contained neither warmth nor humor. He looked exactly as I had seen him last: tall with a waist thickening toward a girth so common in men over 50, and dressed in a somewhat casual type of uniform, a mixture of black and shades of brown. His black mustache and goatee showed no trace of the gray that streaked his hair, hair that he wore long and tied back in a ponytail. Dark eyes looked at me with all the warmth of flint.

Heinrich von Geobbels—”Himmel” as his friends and enemies called him—should have been a ghost. He died twenty-four years ago. Yet, here he stood before me in flesh and blood. Another surprise as he had never existed except in my imagination.

If you have never played what is called a role-playing game, you cannot possibly comprehend what I am saying. With Heinrich , my alter ego, we roamed the galaxy in a game played with paper, pencils, and dice, a game that stretched on for two years. During that time, I lived through this created character exploring worlds, fighting enemies, fleeing the agents of a despotic interstellar empire, and trading exotic goods across a dozen alien systems.

He perished with the roll of an unlucky die. Attempting to save his crew marooned on some backwoods planet, he cobbled together a rescue ship much like Frankenstein’s monster. Sadly, the ship could not handle the stresses of Jump Space and Heinrich perished with it.

I grieved. I moved on. I forgot.

Evidently, Heinrich hadn’t.

“You’re not real,” I managed to say. The blade pressed even tighter against my throat. Evidently, my imagination stood on the verge of killing me.

“Okay,” I said. ”I’m willing to entertain the idea you’re real.” The pressure of the blade lessened.

Suddenly, with a flourish, Heinrich whipped the rapier through the air away from my throat and sheathed it in one smooth move.

“Good,” he said, his voice a baritone with an edge as sharp as his sword. “Now that we have that settled...” He crossed his arms and leaned back against the wall. “I’ve wanted to have a chat with you for some time.”

Gingerly, I fingered my throat surprised to feel no sticky moisture of blood. I remained silent. I did not know what to say.

“Let’s see?” he mused, “I came into existence twenty-six years ago and since my untimely literary demise two years later, I’ve had no choice but to observe life through your eyes. I thought it high time I step out and offer you a friendly critique.”

“But you died,” I said. “I remember.”

“Oh, yes. That. Remember that I died in a game, a hodge-podge of dice and paper and rule books with a referee. No, my friend, you’re not rid of me that easily. I came to birth in your mind and I will live as long as you do.”

My mind jumped ahead to some disturbing possibilities. “So you’re saying I have multiple-personality disorder?”

Heinrich's lips pursed together tightly. “No, I said no such thing. You’ve not calved me off your main personality. I’m not a part of you. I am you.”

I shook my head. “I’m sorry, but I just don't get it.”

“I’m not surprised. All your friends thought they were merely playing a game ignoring any real-life consequences. In retrospect, you have to admit, what we did eventually became more than just a game.”

“Yes. It did,“ I responded. “I became addicted. That’s why I haven’t touched a role-playing game in decades.”

Himmel nodded in agreement. “Yes. You played a lot of hours, yet like most addicts, you never thought of the reasons why you invested so much of your life into your obsession.

“Eventually you came to believe you simply lived vicariously through me, but the power of imagination is a lot stronger than what you realize. You weren’t living through me, you truly lived in that make-believe universe. I was the mask you wore. And since I am you and you are me, dying in that make-believe cosmos didn’t really kill me off.” He smiled grimly. “Do you know what I represent?”

The sudden change of subject threw me off balance. “I don’t know,” I answered. I thought for a few moments remembering the adventures and the actions I had done through my alter ego. “Could you be that expression of myself that lives without limits.”

Heinrich laughed, the first real laughter since he appeared. “Close, but not close enough. I have limits because you have limits. The game had a rule book and life has a rule book. Try again.”

I looked at the man in front of me. What did Himmel represent? Something I lacked? Or something I had that I suppressed?

Suddenly, the answer came. “You’re me without fear!”

Heinrich laughed again, this time a hearty belly laugh from a man not afraid of what people thought of him. He clapped me on the back almost sending me sprawling out of my chair. “Close enough. I’m merely that expression of you without irrational fear, but let’s put it in a positive light. I’m you living out a life of rational courage.”

A sudden thought came to me, an inkling of a doubt. “In the game you...I...we...whatever, did cowardly things. We broke the law. We cut and run. How can you call that courage?”

Heinrich leaned toward me, the intensity of his eyes focused on mine. “The parameters of the game demanded those scenarios, but even in the game we did courageous things. But now I’m talking of real life. Here. Now. Do you know that when a baby is born, it only has two fears: the fear of loud noises and the fear of falling? All other fears are learned experiences." Himmel leaned back again against the wall and folded his arms. “Should I speak to you of fear of rejection, fear or failure, or even fear of success?”

“No,” I answered quickly,my cheeks reddening, “but we acted bravely in a game. This isn’t a game. It’s real life.”

Heinrich’s eyes flashed with fury. “I’m not talking about the game!” he said, his voice rising to a shout. “Forget the game and focus on this life...our life.” He gritted his teeth together, took a deep breath, and spoke more calmly. “I will be blunt. You gave up living in a game twenty-four years ago. Now you’ve given up living in real life.”

“I...” The need to defend myself rose strongly, but I’ve always had a problem with a need to speak with integrity. “I...“ I paused. “No...you’re right.”

I faced away from him. “Fear is the opposite of faith, love, courage,” I said mechanically, “but life changes things. I’m older now. I have a wife, children, a home, responsibilities. I live in a society where courage is viewed as misguided altruism.”

Again, Heinrich laughed without humor. “Petty excuses,” he spat.

I felt his hand on my shoulder and his voice took on a gentler tone. “I know you. You do the best you can do and then worry that it might not have been enough. You look forward to an uncertain future that is demonstrably hostile to you and your loved ones and the beliefs you hold sacred and you tremble. You wake up at night consumed by worry. You’re terrified that your very fear alienates those around you, including those you love. Yet, you’ve come this far. You’ve beaten a number of the odds and had some fun doing it.”

I smiled. I couldn’t help it. “Yes. I survived Ecuador, Costa Rica, inner-city Baltimore, asthma...and kids...so far.” I looked up at him. “Courage is not something that you can conjure out of thin air. How do I get it back?”’

Heinrich once again took up his position, leaning against the wall. “You didn’t lose your courage. It’s layered over with fear. You regain it with small triumphs and work from there." He paused for a moment. "So?” he asked. “What’s the one thing today...just one thing that you’ve avoided or put off just because of fear?”

I didn’t even need to think about it. I shut my eyes and shook my head with a smile. “I know what it is,” I said, scratching my head. “It’s only been keeping me up for the last three months.”

“Then,” Heinrich’s voice whispered. “Just do that one thing today. Face your fear. Get it out of the way. Do the best you can and be content in that, and then move onto the next challenge. Build up to your bigger challenges, your bigger dreams." Again he paused, his voice becoming almost wistful. “Do you remember that one item you wrote on that fifty-year long goal sheet that you filled out when you were still a teen? That one item you didn’t show to anybody or ever tell anybody?”

Again it came to me immediately. “Yes,” I said, remembering that indescribable longing that came over me when I wrote that one impossible dream. “Yes, I do. I wrote that before I died I wanted to dance on the mountains of the moon.”

Heinrich nodded. “Big dreams keep us going. Even if we never make it, I suspect we’ll have fun reaching for it. And if we do make it, remember...it will be me dancing with you.”

When I looked up to say thanks, Heinrich was no longer there. I blinked and turned to face my computer screen and realized that wasn‘t quite true. Heinrich von Geobbels stared back at me from the screen’s reflection.

There are many dreams, wishes, accomplishments I want to achieve, some that people would consider ridiculous, immature, a waste of energy, but who really knows? Life is stranger than what we know. Maybe someday, just maybe. You really don’t know. You really can’t say it’s impossible. Maybe someday, people walking the streets in fear will look up at the moon with dread and apprehension in their eyes, unaware that on the highlands of the Sea of Tranquility, Himmel and I are dancing.

Saturday, April 16, 2016

Conversation With A Dying Unicorn

I did not write this, but I have permission from the author to repost it here. Ken Pick is my writing partner for the Jill Noir series and I met him through this work. The story is not for everyone, but I believe that it will speak to genre authors and readers who hope that the act of literary or artistic creation may somehow impact reality. I was deeply moved when I read this so many years ago and it moves me still. I'm grateful and honored to be able to bring this story to you now.

The Age of Reason Has No Need of Unicorns

Conversation with a Dying Unicorn
by Ken Pick
ALL RIGHTS RESERVED


The rumble of the garage door closing two floors down vibrated through my bedroom, followed by Steve’s motorcycle fading in the distance. With him gone to work, I could put in a couple hours without distraction before I had to crash for the night and go back to live-action Dilbert in the morning.

March was my month to catch up on my backlog of furry art projects, and I was finishing up the one original amid the xeroxed-and-inked copies of my doodle pile that I was sending off for a try at the conbook for the next AnthroCon. And deadlines for the conbook and at work had to coincide.

AnthroCon’s theme this year was “Join the Furry Revolution!,” and from the imagery on their Web page – Betsy Ross as a raccoon – they obviously were thinking “American Revolution.” As soon as I’d downloaded the detailed solicitation for conbook art, my mind had gone fiendish in a way it hadn’t in a long time. They wanted “Furry Revolution” art? They’ll get a Furry Revolution – just not the one they’re expecting!

I’d forwarded a copy of the conbook page and release form to Eric Blumrich – he drew his “revolutionary imagery” from the First Russian Revolution; that ought to be good for a few fried brains on the conbook staff. Steve had suggested a parody on Latin American banana republics and Clint something based on an Andrew Swann novel, but my neurons were already exploding down another path, prodded by memories of Tale of Two Cities, The Scarlet Pimpernel, and Here Comes a Candle. Why should Mary Hanson-Roberts be the only one of us to tap French Revolution imagery?

In all my life, I’ve only had one story, one possible paranormal experience, and two other pictures burst full-honk into my mind like this one – straight into my head, demanding to be drawn. A melodramatic, sort-of-Gothic horror piece – an anthropomorphic unicorn, traditional Western symbol of purity getting the chop during the Reign of Terror. Striking on the surface – the black silhouette of the guillotine looming over the white figure of the unicorn – and symbolic on a couple of levels, my commentary on attitudes both inside and outside the fandom.

I’d never done a unicorn before, but this one came out surprisingly well – sort of a Stephanie Peregrine style, with a facial expression mixing shock and dread that had come about completely by accident I’d dressed her in some simple generic period garb I remembered from my SCA days, and (after a hurried e-mail warning from Blumrich) given her enough points of difference from Vicky Woman’s “Empress Alicia” that no one could possibly confuse the two. Which, of course, guaranteed that some fanboy would. Even more striking when traced and cleaned-up, late at night on that light table at Kinko’s with nobody else in the store, afraid someone would see it and get the wrong idea.

And now, I was puffing the final touches on the piece. Actually, two pieces – an inked black-and-white version, Victim of the Furry Revolution, for the conbook and a color version, The Age of Reason Has No Need of Unicorns (L’Age de Raison n’a pas Besoin de Licornes), for the art show. I had just put my signet and date on the former – dated using the French Revolutionary Calendar – and was getting the release forms ready when the Reality Barrier broke.

“Why?” The voice was female, sweet and musical – and coming from inside the room, behind and to the left, from the direction of my bed.

“HUH?” I spun the desk-chair around, homing on the voice.

She was sitting on my bed. The unicornette, exactly as I had drawn her – white fur, disheveled golden mane, liquid golden eyes, petite cloven hooves, white peasant-blouse top and coarse white skirt soiled with prison dirt, hands/forehooves/whatever lashed behind her back and a large cork stuck on the end of her golden horn.

“If I am to be executed, Monsieur, I should at least know why.”

“You – You’re real?”

“Non, Monsieur.” She shook her head, golden mane falling half-over her eyes. “I live only in your mind, and there -” She angled her horn toward my drawing table and the artworks. “- I am about to die.”

tulpa – an imaginary construct that somehow jumps over Planck’s Wall into reality? Or just my neurons gang-firing from sleep deprivation and stress? Or subconscious storytelling making the jump into consciousness, like Clint’s characters telling him “how it really happened”? But in a full-sensory hallucination? The last time anything remotely resembling this had happened – “Thirty Seconds Over Narnia”, that possible paranormal experience – it had come in the form of a vivid mental image, not an apparently-solid critter materializing in front of me.

“You created me, Monsieur, and in creating me you condemn me to death,” she continued. “What crime have I committed to deserve la guillotine, to ‘sneeze into the sack’ before a cheering mob?”

“N-none; you’re – innocent.” Like so many others, from Paris to Phnom Penh, in the two centuries of revolutions patterned after the French.

“But of course I am innocent, Monsieur,” she said, getting the hair out of her eyes with a toss of her head. “I am a unicorn, Non?” She rose off my bed, the futon mattress rising as her imaginary weight left it, and stepped over to my drawing table, her hooves sounding daintily on the carpet. Eyes wide with wonder; she looked over the furry art hanging on the wall; then bending down, she pulled the lamp around with her horn and studied both unicorn-and-guillotine pictures intently.

After a moment she spoke again. “So why must I die unjustly? Do I represent something or someone you hate? Am I a martyr for some cause I know not what? Or do you simply wish to see a unicorn beheaded?”

“No, unicorn – I’m not completely sure myself.” I reached out to touch her on the shoulder; she felt solid, and warm. “If there’s any reason, you’re there because you’re a unicorn and what unicorns represent.”

“Explain, s’il vous plait?”

Great. Where do I start? I tried to tell her how she first came to be, how the image of a unicorn going to the guillotine had come out of nowhere into my head and wouldn’t let go, how everything had just fallen into place when I’d gotten the details on AnthroCon’s theme and conbook.

How I’d poured myself into a picture for the first time in years, and how it had drained me afterwards, and how anything that could have that effect had to have power in it.

About causes gone lunatic, from Liberté, Egalité, Fraternité! to Prohibition to militant anti-smoking to Save the Fill-in-the-Blank to whatever was the latest Important Cause of the week, and how the perfect Utopian omelet always required smashing more and more eggs.

About my hyperactive, runaway imagination that had spaced me out until I was well into my twenties, and how that awe and wonder had worn down over the years – like my father; who had lost his ability to dream by the time I was old enough to notice.

How imaginary critters like her had been a part of that imagination as far back as I could remember -classic Poul Anderson and Andre Norton “aliens” with fur and tails, mythical critters like herself, a noble young white lion, a one-shot skunkette glamor-actress, two-legged talking beasts of every species. Then my own critters; imaginary playmates becoming safe rehearsals for how to act on dates which never came, finally growing into full-fledged characters and stories and art as I aged, all expressing what C. S. Lewis had expressed the best:
You had an animal with everything an animal ought to have – glossy coat, liquid eye, sweet breath, and whitest teeth; and added to all that, as though Paradise had never been lost and earliest dreams were true, the charm of speech and reason.
And how those “earliest dreams” had become “adult” nightmares – like that “furban legend” of a Blumrich rant, the one everybody claimed to have seen but nobody could produce a copy of, the one that goes on and on about all that these creatures of the imagination could do or be and ends with “And all you can think of doing with them is to draw them with their clothes off.”

And how dealing with the fandom – the Muckers, the yiffy-boys, the Spandex Commandoes, the way over-the-top lifestylers, with only the occasional thinker amid the droolers and foamers and wankers – had worn me down.

“But they’re not human! They’re Furry!” The cry of the fanboy always used to justify sick and twisted behavior of or towards the critters they’ve created – just like “But I was only role-playing my character” always justified any sort of treachery in D&D. Never uplifting the critters to their level and beyond – transcending the animal – instead of seeing how low they could go with them. Even animals eat, sleep, and play as well as rut.

If insanity was part of these times, we’d embraced the madness as thoroughly as Paris 207 years ago. Our mobs of fanboys howling for spooge, up to and including stuff that would make the Marquis de Sade vomit. Our factions and denunciations, our Girondists and Jacobins, our high-sounding Robespierres, our gloating Heberts, our vicious Marats.

And me? I’d come into this like Lafayette only to wind up with a rep like Dr. Guillotin, the part of me that could dream those “earliest dreams” slowly dying in writer’s block, artist’s block, stories sitting half-complete and art commissions sitting unsaturated for years. Until her.

Vive la Revolution de Pelage.

She listened quietly, with an occasional flick of her tail. When I finally finished rambling, she spoke again, thoughtfully.

“I believe I understand. I am the innocent who finds herself in the path of a cause so ‘righteous’ as to justify any evil. I am a creature of imagination, who cannot possibly exist in an ‘Age of Reason’, so I cannot be permitted to live. And to you, mon createur, who can see virtue only when embodied in such creatures of imagination, I am something else.”

“I represent what was worn away in you, what these – pelagists – throw away when they make of their creations less than animals.” She shrugged against her bonds. “You do not kill me, they do; your art but records the fact, and my – execution – mirrors what they have done and what they have become.” Her voice softened, turned even more thoughtful. “When to be called ‘Virgin’ is an insult, to whom can a unicorn appear?”

“To me.”

“Oui, and you know why.” Oh, I knew – all the years of embarrassment and ridicule, direct and indirect. The biggest continuing failure in my life; blindsided by another revolution, saving myself for a marriage that never came.

“Unicorn, I might be able to spare you. I’m no Scarlet Pimpernel, but -” I was babbling now, my stomach doing slow sick backflips. “- I can shred the pictures – or at least not submit them or show them. Nobody will ever see them, and you’ll keep your head.” I didn’t like destroying artwork, any artwork, especially my own – but ink on paper and Prismacolors on illustration board was one thing, but to actually take a living, breathing unicorn-girl – even in imagination – and slice off her head  

“NON!” A hoof stamped against the carpet, sounding through the room. She shook her head like a stallion in triumph, eyes flashing golden fire; I remembered the earliest tales of unicorns, and how they could vanquish elephants in a one-on-one fight. “Mon createur, I now know I die for a reason, not just amusement or titillation.” She paused, seemed to shrink a bit. “You may take my head.”

Anything I said now was going to sound really stupid – especially so to an imaginary critter about to die an imaginary death – but I said it anyway. “I don’t want your head, unicorn. I don’t want you to die – not after actually meeting you.”

“Neither do I, but we both know I must. You drew me for a purpose, and I fulfill that purpose by giving up my life. And with that life you drive home your point” – she tapped my head with the corked tip of her horn – “to the mob. Perhaps some will listen.”

“They won’t.” I had enough experience along those lines – Clint quitting in disgust halfway through his grand story arc, Canuss gone to ground, Blumrich’s on-target rants, the pros who’d bailed because of “one fanboy too many”, the career-killing reputation of being “one of them!” More eggs cracked for the perfect Furry omelet. Vive la Revolution? Vive la Terreur.

“You don’t know that” She shrugged again. “The draw of the card, the roll of the dice – you never know the results before you make the attempt.” She took a deep breath, stretching the ropes that bound her; and power entered her voice. “And for whatever purity and virtue remains in you, and by my blood about to be spilled, YOU MUST MAKE THE ATTEMPT.”

She stood tall, head high, nostrils wide and eyes blazing. “And I shall be part of that attempt, sealed with the lifeblood of a unicorn. Perhaps my death will bring that part of you back to life.

“Now, mon createur,” her voice returned to normal, “I ask one last favor from you, before I go.”

“What?” I had learned long ago never to answer “anything” to an open-ended favor – especially when magic was afoot – and physical courage was never one of my strong points. What could she want? She’d refused my offer to spare her; she was a classic unicorn of pre-mass-market Western Christian tradition, not some fanboy spooge-i-corn…

“I know I am not ‘real’, and do not die ‘for real’, yet still -” Her voice started to quiver; her expression changing to the one in the picture. “-I am afraid. Embrace me – s’il vous plait?”

I gathered her in my arms, crushing her against me until she stopped shaking, her heart hammering faster than mine at my father’s funeral; her breasts pressed against my ribs, her ear and mane tickled my nose and her snout rubbed against my cheek, her tail flicked against my thighs. So unicorns must have lain in the laps of other virgins, so long ago…

“Mon createur?”

“Yes?”

“I am honored to have spoken with you, as if I were real.” She pulled her head off my cheek and looked at me with great golden eyes. “I came from you, and I am always a part of you. You know Who we unicorns – at least our males – have symbolized in every Medieval Bestiary. You once wrote Stauros how much you ‘longed to romp and play with the furries in Aslan’s Land’. If and when you do, I pray that I shall be one of them – given substance in reality instead of imagination.”

I squeezed her tighter, kissed her on her snout, between the nostrils; her breath smelled like fresh roses mixed with cinnamon. She pulled back, blinked once in astonishment, then raised her head to where our mouths met – para-equine to human – and reciprocated with a long, gentle kiss. Just like my only girlfriend had, on our first date, all those years ago…

“Merci – and adieu.” She stepped back, radiant despite the bonds and prison dirt; I brushed her mane back from her eyes. “And now, if you will excuse me, I must go. La guillotine is waiting.”

And turning around, with head held high and tail flicking, she walked through the wall and was gone.

Friday, April 15, 2016

My Subconscious Decides to Make A Superfluous Point

Last night I dreamt I lived in a steampunk version of Victorian England that would have been cool in and of itself, but my nightly excursion was evidently not for my own enjoyment, but to teach me a bully pulpit message with all the subtlety of a baseball bat.

Yes, I could have wandered a steampunk vision of Victorian England, but why should I have any fun? So points to Carl Jung and let us continue.

And a warning to special snowflakes. This post is politically incorrect and gravid with triggers. Proceed at your own caution.

I dreamt that in this fascinating world, a lecturer had made himself famous by setting forth some rather odd and stringent rules about diet. Because his theories were so nebulous, I decided to attend one of his lectures just to hear what the man had to say for himself.

I traveled to the hotel where he was lecturing to discover he and his followers had basically taken the establishment over and were in the process of turning it into a commune.

The place was packed with humanity and I did not realize at first the audience was completely composed of women and children. Not only were there no adult men present, I was the only adult man present.

As I wandered among the crowd, I was basically ignored, but there were two middle aged women off by themselves and I took it upon myself to strike up a conversation. "I look forward to the doctor's lecture," I said.

The two ladies rolled their eyes at each other and one with a voice dripping with contempt said to her companion, "Oh, he wants to hear the doctor's lecture."

"Well," I said, determined to remain civil, "What word would you use instead?"

"Yes," the other woman said to her companion, pointedly ignoring me, "he wants to hear the doctor's speech."

The other woman snickered. "Yes, he wants to hear the doctor's talk."

Turning my back on them, I walked away to discover there was to be a communal breakfast so I wandered into the dining room. With at least two hundred women and children in attendance, I took my place at the first seat at one of the tables.

A large platter of blueberry pancakes, a carafe of syrup, and a large bowl of butter was placed in front of me, but before I could help myself, the child sitting next to me, grabbed the food, took his share, and passed everything on. I stared as the child wolfed down his food as fast as he could, barely pausing to chew, and then saw to my surprise everybody following suit. I learned that one of the doctor's dietary rules was to serve yourself and eat as rapidly as possible. Within a few scant minutes everybody in the room had gobbled down their food and were leaving to go to the lecture room.

I walked down to the end of the table to see if there might be any food left, but the leftovers were so filthy and in such terrible shape, nothing edible could be saved.

I turned to discover that a group of young girls had gathered behind me. "We don't need you," the one child said, her voice dripping with contempt.

"Yes," said another. "I am never getting married."

"No?" I asked in some surprise. "Never?"

She shrugged her shoulders. "No need. Say a man asked me out on a golfing date? After dinner and playing a few holes, it's 'piff, poff, poof'' and I'm done."

I was shocked to hear that from a young girl barely 8 years old. "And then you just move onto another?" But her response was lost when the phone beside my bed rang to wake me from a sound sleep.

When I hung up the phone, I mused about the oddity of my dream, a world marked by wanton promiscuity and weird theories where the 'old ways' were held in contempt for momentary trends, where youthful innocence was destroyed as soon as possible, and where immediate pleasure was prized over commitment.

I am so very glad I don't live in a world like that today.

Friday, March 18, 2016

What If The House You Lived In Was Alive?

Since the tenth century A.D., Shingon Buddhism has entertained a concept known as Tsukumogami. It is a difficult concept to define, but loosely described, it is the belief that when any object has reached its 100th birthday, it becomes alive and self-aware.

My first introduction to Tsukumogami was through Le Portrait de Petit Cossette, a very odd animated Japanese film. In the movie, items from the young French girl’s boudoir enact a brutal revenge on the reincarnation of her murderer, an assistant to an antique dealer.

Though I cannot say I’m convinced of the reality of Tsukumogami, my fascination with old houses embraces the concept. In my novella, Yew Manor, my essay, The Vicarage (found in Come Into My Cellar: Darker Tales From A Cerebral Vault), and Coventry House (found in Opal Wine) and various future works, my houses all become characters in their own right.


Last night I was musing on the old homes I have been privileged to live in and visit and thinking about Tsukumogami I wondered, if true, does the house develop sentience in a flash or is it a gradual growth of self-awareness? You may think me addled in the brain, but I do entertain a subjective belief that some houses inherently make me feel welcomed. Some make it clear that I am most unwelcome. Some feel like I am in a house trapped in a waking dream and the aura of the house is, dare I say it?, wistful.

I can imagine a house, filled with family, and on the celebration of its centennial, there is within its walls, a spark of awareness, much akin to that of a newborn child. As I allowed the fantasy to evolve in my imagination, I followed its developing personality affected by the attitudes and actions of those that lived within walls. Those houses that entertained a family that was loving and supportive took on a personality of love and support. Those homes that harbored hatred and perversion within their walls were destined to have their newborn hearts twisted and malformed to become, like the Vicarage in my essay, a Bad Place.

And then there are homes that contain within their walls, the lonely and the unloved, the aged who dream of a better past and others who can seek refuge only in their memories. What of those houses, I wondered? Could it be that when they lay empty they cry for love and yearn for true life to blossom within their walls, longing for what they have been denied. Making it worse, it is unable to define what it is it cries for as it never experienced love to begin with.

Mayhap when a loving family moves in, the house responds with joy, and those who walk its halls may find an odd reluctance to leave its embrace.

This house does not like you. Welcome home.


And for those lonely houses forced to suddenly harbor evil tenants? How they must rage to have their needs denied, their own hearts darkened into murderous fury to be forced to home parasites instead of the love they long for. Their vengeance must be terrible to behold.

And that, my Dear Reader, is where my ideas for my stories come from.


Wednesday, March 16, 2016

Making Our Dream Of Reaching The Stars A Reality

We sit in the mud... and reach for the stars. ~ Ivan Turgenev

I have always been pro-space. Since a young child, I have dreamed of spaceships traveling the planets between the L5 colonies and the settlements on Mars and the Moon, researching the best methods by which we could reach the stars themselves.


The IXS Enterprise as envisioned by Mark Rademaker

In collaboration with NASA, in 2014, artist Mark Rademaker revealed conceptual artwork of the IXS Enterprise, a subliminal spaceship first conceived by NASA scientist Dr. Harold G. White. The IXS Enterprise would be theoretically capable of achieving warp travel that would make travel to the stars feasible. Currently, Dr. White is currently running the White–Juday warp-field interferometer experiment in the hopes of creating a Alcubierre warp bubble. He is also researching what is known as an Em Drive that shows even greater potential.

The IXS Clarke as envisioned by Mark Rademaker
I do not know whatever happened to our vision of space exploration. Don't get me wrong. I dearly love Forbidden Planet (which by a delightful coincidence today celebrates its 60th anniversary), Star Trek, Star Wars, and the wonderful Firefly TV series, but let's be honest. After we walked on the moon and retired the shuttles, our dream of space appears to me to be just that: a dream.


And now, I wonder what our future does hold. Watching what passes for news nowadays, I fear humanity's ability to dream of a future bigger than bread and circuses has become too limited. I just sincerely hope it is just not too late. With visionaries like Sir Richard Branson (Virgin Galactic), Eric C. Anderson (Space Adventures, Ltd.) and Elon Musk (SpaceX), there may still be hope for us all providing we don't all get so fascinated by the mud on which we stand that we forget to ever look up.

What I want for Christmas

Sunday, January 17, 2016

A Free Essay For You?

Well, well, well.

It appears the opening essay to my collection, Come Into My Cellar: Darker Tales From A Cerebral Vault, is completely available for free if you click on Amazon's Look Inside feature.

Bad news for me, great news for you.

Oh, well, things like this happen in the smaller universes.

Enjoy the opening essay, my dark love letter to the English language, by clicking here and then clicking on the Look Inside command and scrolling down.  You'll also get to read the opening to the first chapter of Doll Wars that I hope to complete and release before the heat death of the universe.

Go ahead. They are just words on a screen. They don't bite.

Maybe.

Monday, January 4, 2016

A Plea to All Artists, Writers, and Poets

Some years ago, I visited an elderly man who was a veteran of WWII. He told me an amazing story of survival while on patrol in Italy where his entire squad around him died, but he survived without a scratch. He felt that since then he had been living on borrowed time and that the incident encouraged him to live a life of integrity and dignity.

I begged him to write the story down or record it on a cassette tape. Normally I would never be that insistent, but he finally gave in to my persistent plea and promised me he would write it down for posterity.

In less than a week, I officiated at his funeral. He never wrote the story down.

Two years ago, I met a man and we became very good friends. An author of three nonfiction books, we had been talking about his magnum opus, a book that would be an analysis of Christianity that had come from decades of intense, original research from his own unique perspective, but at this point his book existed only as an idea.

We had discussed its purpose and proposed outline and I had written a concise, succinct purpose of the book that we both agreed would serve as the work’s introduction.

He agreed to begin work on an outline and he contemplated a published book of 600 pages.

He put it off for two months.

Next Saturday, I will officiate at his funeral.

The lesson you should learn from this is not to leave the world with unwritten books, poems expressed only in your mind, and art only sketched in your imagination.

Life is too short to not give expression to your soul. Way too short, too unpredictable, too uncertain. As the Psalmist wrote, “Man is like a mere breath; his days are like a passing shadow.”

So when do you express your heart’s creativity?

Why, today. Start it today. There is no promise of tomorrow, so view today as a gift and begin it even if it is only a few sentences scrawled on foolscap or some exploratory lines on a canvas.







Wednesday, August 26, 2015

To Touch Real Magic: An Essay On Creativity

Many years ago, I wrote an essay on why I write.

What precipitated the essay was the writing of two stories with quite a bit of sophomoric humor where I had placed myself and several friends as characters. When I expressed genuine guilt to the small group for what I had done to one of the characters I had named Molly, one responded, "I'm reaching out and slapping some sense in you."

Read on. Of all the essays I've ever written, I consider this one my best:

To Touch Real Magic
ALL RIGHTS RESERVED
Alan Loewen

Molly stood in the small gazebo overlooking white cliffs where five hundred feet below the sea washed its waves against their base. Both moons were full and the Great Nebula glowed with gentle pastels of violet and ginger.

She sighed in pleasure at the visual delights. Dressed in an ankle-length evening gown of crushed purple velvet, she had let her hair down where the light breeze made it flow around her bare shoulders.

Molly leaned against one of the posts with arms crossed against her chest as some protection from the slight chill in the night air. She realized she was waiting for something, but could not put a finger on what it was she waited for.

She heard the sound of shoes crunching gravel. With a start, she looked up to see in the combined moonlight an elderly man, balding, and dangerously close to having far too much flesh on his bones. He puffed heavily from the exertion of walking the steep path.

Looking up, he saw the young lady staring at him with surprise and responded with a slight grin. Gasping for air, the stranger stumbled to the shelter where he slumped onto a bench and waited to regain his breath.

In the light of the two full moons, Molly could see the raw imprint of a hand across his right cheek. Somebody had slapped him. Hard.

Suddenly, recognition dawned.

"You’re Dr. Alan Loewen!" she said in surprise. "Fancy meeting you here."

Loewen held up his hand to signal for a moment of peace while he steadied his breathing.

"Sorry, my dear," he said after a moment, gasping between the words, "you have confused me with my fictional character. In reality, I’m just a writer. I am no doctor, just your creator."

Molly looked at him puzzled. "You’re saying you're God?" she asked.

Loewen laughed. "No, no, no! No god at all, just a creator." He waved his hand around the landscape. "I created all this. Just as I created you."

"Where are the others? Josh? Austin?" she asked, changing the subject. She was getting uncomfortable with the topic and where it might end.

"I doubt they are here at the moment," Loewen said, standing and admiring the view, "but there are many others present. We can’t see them, but they are listening to every word, perceiving every nuance, and seeing everything I emphasize.

"In reality these observers—who I call readers—are very imaginative. This scene, the words I speak and the words I make you say will stay in their minds for some time to come." He looked at her with a smile. "This is called the magic of writing."

"Who slapped your face?" she asked, once again trying to change the subject. She had the growing feeling she was in a trap that was slowly closing in on her.

Loewen laughed. "Faithful are the wounds of a friend; but the kisses of an enemy are deceitful," he quoted. He turned to face her and admired the highlights the light from the reflected moons set off in her hair. "I created this world," he said, "and brought you here along with all the others to make a point about my theory of writing."

Again he paused and stared up at the twin moons, his brow furrowed with concentration as if contemplating his next words. "How would you feel," he asked, "if I told you that every time you embarrassed yourself the past few days, like at the house in Maryland or at the San Juan airport, I was the one responsible?"

"According to you," Molly said, "I guess it would depend on how you wanted me to feel."

"Wonderful!" Loewen said, clapping his hands together like an overgrown toddler. "You learn fast, but then it was me who had you say that in the first place."

Molly shook her head in puzzlement. "I don’t understand."

"Not to worry, my dear. I performed a practical joke. Only the invisible and silent others will get it. Now let’s get to my point before I lose my audience." Loewen snapped his fingers and the scene melted into utter blackness. Swirling colors appeared out of the murk and gelled into a figure sitting at a desk writing with a quill pen. Standing at his left and right, two other figures read along. Each observer had one hand placed on the shoulders of the writer.

Molly looked at her escort and shrugged her puzzlement.

"The man writing is a symbol of me, the writer," Loewen explained. "The man at my right shoulder is my audience. He is always there and, when I write, I sense his continual presence. The man on my other shoulder is my conscience. If that word offends you, you can call him my principles or values or self-imposed limit of moral choices."

"I’m not offended," Molly said.

"I wasn’t talking to you," Loewen whispered, patting her on the hand. "Allow me to continue.

"Audience and Conscience are a necessary part of my writing process. Without them, I would write only for myself, but to see only chaotically inward, unable to conceive of the concept of 'other' or 'limitation.' Sort of like a psychic form of unrestrained autoeroticism.

"If I get rid of Audience, I still end up writing only for myself, but in the form of a diary. And journals, though important tools for self-development, are boring reading for others. It is writing for Audience that makes me strive for creativity, excellence, and clarity of word—the essence of storytelling.

He pointed at the other observer on the left. "And Conscience represents those moral True North principles which I follow of my free will, an external code of ethics that cannot change, the framework which supports my joy, my peace, and my sense of self-worth. Without Conscience, I could take advantage of my creation and pervert it. And pornography is never great literature unless the culture in which it is spawned is totally degraded."

Molly looked at him in puzzlement. "But what brings this all up?" she asked.

Loewen smiled ruefully. "A moment of self-doubt. I had to make sure that in your adventures I had not crossed a line which I did not mean to cross. And though a creator, I am still a flawed human being. I need friends to remind me of when I might dance too close to the line or when my fear hinders my ability to write my best."

The scene faded and once again they stood in the gazebo that stood on a moonlight bathed cliff overlooking a gentle sea.

"As a member of the counseling and serving profession, I find myself in situations which go far beyond my knowledge and experience," Loewen said. "Many years ago, I was exposed to the body fluids of an AIDs patient I cared for, and this well before we understood much about the disease. For days I lived in absolute terror I was going to share his fate until the doctors assured me it was near impossible for me to contract the virus that way.

"Twice I’ve had to deal with guns, one of them pointed at my head. Funerals and divorces and death beds and hospital visits and pain and suffering ... and always, always the questions which have no clear answers. I needed an outlet for all that stress and concern and frustration. Writing provides that."

"Then give up your profession," Molly suggested. "Be a full-time writer."

Loewen chuckled. "At the risk of going metaphysical on you, all I’ll say is that I can no more give up being what I have been called to be than I can give up being a man who needs air to breathe. And that’s my final say on the matter.

"But when I write," he said, a faraway expression of wonder in his eye, "for just a moment, I can make a world of my creation with people who I find fascinating and situations I can handle no matter how fantastic. For just a moment, in the act of creation, I can almost touch the Divine and know the joy of what it must have felt like to create the cosmos with all its potential. But even better than that, is the ability to share it with somebody else and have them walk in my world and laugh or cry or explore any emotion I can communicate.

"And with all that power, I must make sure I never, ever lose respect for myself, my creations, my conscience or my audience. My integrity is the only thing I own in this life. I will not sell it or throw it away for a cheap thrill."

Molly looked out over the sea and shivered in the chill night air. "I have a feeling I must go," she said at last.

"Yes," Loewen said, a note of sadness entering his voice, "but I want you to know even though I pulled all those embarrassing tricks on you in my stories, I love you, as I love all my creations."

Molly smiled and kissed him on the forehead. "You’re a strange little man," she said. "Give my love to those invisible others."

"They already heard you," Loewen said smiling wistfully, "Goodbye, my dear."

Molly turned and walked down the path and by the sixth step she had faded away and disappeared into wherever creations go when their purpose is fulfilled.

"Well, Gentle Readers," Loewen said to the empty air. "I can sense you’re here and reading this and you have seen my perspective on the craft of writing, but before I go, I would like to share with you one closing thought.

"The ancient bards and troubadours saw actual magic in the ability to communicate with words. The ancient Greeks called it the Logos. Norse legends say Odin gave up an eye and hung himself on the World Tree for a night of suffering and agony so he could win for himself the secret of the runes and all the power inherent in what became the Norse alphabet. The Jews refuse to say the entire name of God or even write it out respecting its power.

"I will not bandy metaphysics with you, but I’ll say I agree with the concept of the power and magic of words.

"History is filled with the names of men who sought the occult power of creation; Rasputin, Saint Germaine, Cagliostro and others. But I dare say to you now that if we craft an exquisite sentence, we have achieved more than all the incantations of Aleister Crowley combined. All the cabalistic mechanizations of Paracelsus never brought him any closer to the act of creation we achieve when we dare to put pen to paper or hand to keyboard.

"The writer who seeks perfection of his craft and continues to write comes across more wonder and magic and awe than any witch, warlock or sorcerer that ever mumbled a midnight charm.

"Thank you for allowing me to share my magic with you, even when it has been nothing more than droll slapstick. You have honored me. I look forward to returning that honor when you share your magic with me regardless of the form it may take.

"So let’s all together, in our own private worlds of our own creation, snap our fingers and say 'Let there be light!'"

Loewen laughed and snapped his fingers.

And there was light.

Dark Dreams and Darker Visions 2nd Edition EBook Released

Some nightmares don't end when you wake. A serial killer stalks other serial killers. A lonely woodland pond hungers for the unwary. A m...